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暗夜精選
昏神
邁克·C·曼寧,格里芬·弗里曼,瑞恩·平克斯頓,奧格斯·羅德,特里薩·納瓦羅還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli寵寵特快
執(zhí)法交叉點(diǎn)
Manish Chaudhari,拉塞卡·杜加爾,Saurabh Dwivedi,薩基爾·侯賽因,賽義夫·阿里·汗,桑杰·米什拉奧賽羅
謝爾蓋·邦達(dá)爾丘克,Irina Skobtseva,Andrei Popov三國的星空第一部
檀健次,路金波,旺旺,任俊鵬,楊衛(wèi),良生,方浩然,沉寂,囧森瑟夫,一舟,肖合來提·艾尼,巽辰,易中天,李瀟宇,蔣鉦圣,陳一伊,何梓騫同系列推薦
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅我的鄰居不是人
提拉達(dá)·邁特瓦拉育,Sarunrat Puagpipat,Bowkylion,Viyada Umarin,威紹特·漢莫拉,Vit Pacharapon Jantieng,Sasatorn Buain,Rujravi Jeeradechakul,Panisa Udomruangkiat,Katanyu Swangsri,Phunathat Wiwatphatthanaanan小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安大廚
讓·雷諾,邁克爾·揚(yáng),Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière無處單身
馬蒂爾德·吉奧尼,克里斯蒂亞諾·卡卡莫,阿曼達(dá)·卡帕那,馬可·科奇,塞奇莉亞·達(dá)齊,塞巴斯蒂亞諾·皮加齊,Margherita Rebeggiani,貝博·斯托蒂異塵余生:尸鬼圣誕節(jié)
幕后花絮
裂口女2
澤田家在岐阜縣經(jīng)營養(yǎng)雞場,家里有三個(gè)姐妹花。大女兒澤田幸子(川村雪繪 飾)馬上就要結(jié)婚,二女兒澤田雪枝(巖佐真悠子 飾)在美容院工作,小女兒澤田真弓(飛鳥凜 飾)正讀中學(xué),生性活潑。然而,突如其來的慘劇將幸福的一家推入了深淵。雪枝過去的男朋友鈴木因?yàn)槎驶鸸バ模胍雍ρ┲Γ涣蠀s把硫酸誤潑到了真弓臉上。深受傷害的真弓從此失去了笑 容,兩個(gè)姐姐陪伴在她身邊不斷鼓勵(lì)她。 不久后,真弓學(xué)校的同學(xué)以及畢業(yè)生接連被殺,整個(gè)街區(qū)籠罩在恐怖的陰影之中……
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster