即刻觀影
劇情賞析
編輯推薦
筆仙2004
李世恩,金圭莉從漢城轉(zhuǎn)學(xué)到父母家鄉(xiāng)的高中后，李玉甄（李世恩 飾）受到班里四個女生的欺負(fù)，為了報復(fù)，她和另外兩個也常受她們欺負(fù)的同學(xué)玩起請筆仙的游戲，筆仙請來后，李玉甄施下詛咒，但也被鬼魂附身，不久，四個女生中有三人相繼以自焚的方式死去，警察調(diào)查后，將目標(biāo)人物鎖定為李玉甄，可是此時李玉甄已 完全喪失記憶。 新調(diào)來的美術(shù)老師李恩珠（金圭莉 飾）第一天上課點名時，喊到29號金仁淑的名字時，全班同學(xué)厲聲尖叫，令她十分不解，在心儀她的同事的幫助下，她發(fā)現(xiàn)有關(guān)金仁淑的秘密，而這個秘密，也與李玉甄及死去的三名女生有很大干系。
北逃
索利曼·克魯茲,Niko Becker,巴特·金戈納,Alexandre Nguyen,Olivier Ho Hio Hen,Dimitar Vasilev,Noel Sto. Domingo,Olivier Chen,Baldo Gueye,Mahamat Amine Benrachid,Stefan CojocaruBased on a true story. 1996, open sea. During his shift on a transatlantic ship’s deck, Joel, a religious Filipino sailor, discovers Dumitru, a Romanian stowaway hidden between some containers. If he is spotted by the Taiwanese officers running the vessel, Dumitru is at risk to be thrown overboard. Joel decides to hide him, as a sign of his gratitude towards God. Soon, a dangerous cat and mouse game begins. When his crew, his own friends, even God itself start to turn their backs on him, Joel learns that he has to face his cruel destiny alone.
愛情抓馬
羅伯特·帕丁森,贊達(dá)亞,馬莫多·阿西,阿拉娜·哈伊姆,海利·蓋茨,佐伊·溫特斯,邁克爾·阿伯特,西德妮·萊蒙,亞亞·戈塞林,佩頓·杰克遜,喬丁·庫雷特,馬修·J·麥克勞克林,蒂埃雷·迪亞斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎貝爾,卡拉·科爾南·約瑟夫,馬克斯·德德里安,凱西·麥克尼爾婚禮前幾天，一對情侶無意中發(fā)現(xiàn)彼此的秘密，親密關(guān)系面臨考驗，令結(jié)婚計劃驟然生變。暗黑秘密如何一發(fā)不可收拾？各種反應(yīng)又引致怎樣翻天覆地的后果？原定又浪漫又幸福的結(jié)婚計劃，還可以進(jìn)行嗎？
最后一根稻草
杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen在父親的小餐館發(fā)生了可怕的案件后，Nancy決定獨自值完當(dāng)晚的最后一班來收拾殘局。但她不知道，自己并非孤身一人，她必須在漫漫長夜中為自己的生命而戰(zhàn)。
誰不說俺家鄉(xiāng)好2026
曹隨風(fēng),王心嫚,張未柯,賈旭明一場跨越世紀(jì)、跨越海峽的白金婚禮;一個夫妻離別七十年后破鏡重圓的故事;一段愛情、親情、 鄉(xiāng)情血淚交織的情路歷程。 上世紀(jì)四十年代，在河南一個叫夏源村的地方，鄉(xiāng)村?年馮念國在婚禮上被國民黨抓了壯丁，后輾轉(zhuǎn)去了寶島臺灣，家鄉(xiāng)親人天各一?。未入洞房就守起活寡的新娘王秀云，七十年守望如初、 癡心未改。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.