恐怖女子高校女暴力教室
位于關(guān)西的圣和女子學(xué)院是一所旨在培養(yǎng)賢妻良母的私立女子高中，然而校方利欲熏心，無心教育，致使這里充斥著各種不良行為。其中，女番長中田迪子（杉本美樹 飾）率領(lǐng)的3年4班嵐線會(huì)和理事長（金子信雄 飾）私生女福本澄子（衣麻遼子 飾）率領(lǐng)的3年2班對(duì)抗尤為激烈。教師們唯唯諾諾，唯恐惹禍上身。青年教師吉岡敬一（成瀬正孝 飾）一腔熱血，希望革除這股不良之風(fēng)，但他粗暴的做法卻遭到更大的報(bào)復(fù)。背負(fù)仇恨的尾野崎由紀(jì)（池玲子 飾）轉(zhuǎn)學(xué)于此，時(shí)刻等待復(fù)仇的良機(jī)，而她也很快卷入各派斗爭(zhēng)的漩渦之中…… 本片為“恐怖女子高校”系列第一部艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
在線看
同款熱播
閣樓房客是總裁
張層層,莫小錯(cuò),詹子潼,董天昊講述了地產(chǎn)集團(tuán)二公子宋以昭為了爭(zhēng)奪繼承權(quán)，隱瞞身份，住進(jìn)了夏天旅館的閣樓，成為夏南笙的房客，意在拿下旅館的拆遷同意書。隨著宋以昭的入住，旅館經(jīng)歷了種種麻煩，高傲自大的宋以昭與大大咧咧的夏南笙之間，發(fā)生了一系列啼笑皆非的事情。當(dāng)宋以昭發(fā)現(xiàn)自己愛上夏南笙的時(shí)候，拆遷同意書已經(jīng)被哥哥宋修獲取，拆遷的挖掘機(jī)也已經(jīng)開到了旅館的門口，知道真相的夏南笙決定與宋以昭決裂....
外出時(shí)刻
羅蘭·拉斐特,埃馬紐埃爾·貝克特,帕斯卡爾·格雷戈里,格雷戈里·蒙泰爾,安娜·盧瓦雷,Cyrille Hertel,盧安娜·巴杰拉米,Victor Bonnel,格林奇,托馬斯·西梅卡,蓋伊·托馬斯,Véronique Ruggia羅蘭·拉菲特([她])、艾瑪紐爾·貝克特([我的國王])主演新片[外出時(shí)刻]( L’heure de la sortie，暫譯)進(jìn)入拍攝后期。本片由塞巴斯蒂安·馬赫尼耶自編自導(dǎo)。故事講述皮埃爾因一位年輕老師自殺，作為填補(bǔ)進(jìn)入圣·約瑟夫?qū)W院工作。他很快發(fā)現(xiàn)這里青少年散發(fā)著一種敵意。本片預(yù)計(jì)8月2日殺青。
意外空間
胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃爾南·門多薩,勞爾·門德茲兄弟二人生活過的緊巴巴，弟弟生性懦弱，哥哥強(qiáng)勢(shì)霸道，這天，哥哥搶劫別人得來了錢，兄弟二人正高興之際，一名偵探找上門來，雙方發(fā)生爭(zhēng)執(zhí)，追逐之中，三個(gè)人發(fā)現(xiàn)自己被困于無窮無盡的樓梯上，無論如何都走不到盡頭 …… 另一邊，一家人被困于無邊無境的馬路上，相同的加油站，相同的便利店，四周一望無際的荒野，卻如何都逃不出這可怕的地獄…… 兩個(gè)沒有界限的空間，他們要如何應(yīng)對(duì)內(nèi)心逐漸升起的絕望？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黑域封鎖
特瓦納·巴尼特,邁克·弗格森,LeeAnne BauerWhat begins as a peaceful venture into civilian life for a pair of military vets, quickly devolves into chaos when a nuclear crisis brings danger to their doorstep, igniting an unexpected alliance with a potential enemy, as they struggle to protect their team and overcome the shadows of their past in a lawless new world.
洗發(fā)水
沃倫·比蒂,朱莉·克里斯蒂,歌蒂·韓,李·格蘭特,杰克·沃登,托尼·比爾,喬治·菲爾特,杰伊·魯賓遜,盧安娜·安德斯,蘇珊娜·摩爾,凱麗·費(fèi)雪,Ann Weldon,Randy Scheer,Mike Olton,Richard E. Kalk,Ronald Dunas,Hal Buckley,杰克·伯納迪,威廉·卡斯?fàn)?布拉德·德克斯特喬治（沃倫·比蒂 Warren Beatty 飾）是一名美容師，經(jīng)過他那雙神奇的手打理過后，所有的女人都會(huì)變得容光煥發(fā)。隨著業(yè)務(wù)量的增長，女友吉爾（歌蒂·韓 Goldie Hawn 飾）鼓勵(lì)喬治開設(shè)自己的美容院，可是，在這塊寸土寸金的地方，想要擁有自己的一席之地談何容易呢。喬治找到了生意人萊斯特（杰克·瓦爾登 Jack Warden 飾），想要說服他投資自己的美容院，而萊斯特并不知道的是，風(fēng)流成性的喬治，不僅和自己的妻子有不清不楚的關(guān)系，甚至和他的女兒也走的很近。世界上哪有密不透風(fēng)的墻呢，當(dāng)吉爾得知了喬治的這些花邊新聞后，還能夠堅(jiān)定地站在他身邊支持他嗎？