性晶
立志做劇作家的秀蘭，為體驗(yàn)社會(huì)而休學(xué)，走進(jìn)了混雜的社會(huì)，與有婦之夫的英民苦戀，最終帶著眼淚返回校園，其好友奇錫仍守在她身邊，而英民反省過往的不是，與妻子相擁而泣，二人決心建立幸福的家庭~這位施撒原來就和尊尼不咬弦，這次更是嘮嘮叨叨，不料拿回家的這筆錢卻被自己的同床異夢的釹同志老婆和她的釹友小玲看上了！于是在兩位釹同志和兇狠的芝加哥黑幫間進(jìn)行了一場緊張過癮的斗智斗勇奪錢游戲，最后結(jié)果到底怎樣呢，這就留待各位去觀艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。
即刻觀影
劇情賞析
編輯推薦
祖魯
奧蘭多·布魯姆,福里斯特·惠特克阿里（福里斯特·惠特克 Forest Whitaker 飾）和母親是從曾經(jīng)慘絕人寰的種族屠殺中幸免于難的幸存者，雖然如今的他已然出人頭地成為了開普敦警局重案組的負(fù)責(zé)人，但兒時(shí)充滿了血腥和恐懼的回憶依然沉淀在他的內(nèi)心之中，陰影揮之不去。 布萊恩（奧蘭多·布魯姆 Orlando Bloom 飾）是阿里的下屬，他的家族成員曾經(jīng)是種族隔離活動(dòng)中的激進(jìn)分子，不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發(fā)生和一種新型毒品的出現(xiàn)將城市推到了風(fēng)口浪尖，直到這時(shí)，肩負(fù)著巨大壓力的阿里才發(fā)現(xiàn)，那些他以為已經(jīng)成為過去的事情，其實(shí)并沒有真正的過去，也永遠(yuǎn)都不會(huì)過去。
秘密會(huì)議
拉爾夫·費(fèi)因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達(dá)·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達(dá)夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭紅衣主教勞倫斯（拉爾夫·費(fèi)因斯 Ralph Fiennes 飾）要負(fù)責(zé)世界上最秘密、最古老的活動(dòng)：選擇新的教皇。而他發(fā)現(xiàn)自己處在一起陰謀的正中心，可能撼動(dòng)教會(huì)最深的根基。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
選個(gè)家來愛
海瑟·格拉漢姆,朱麗婭·斯蒂爾斯Chosen Family sees Ann, a yoga teacher trying to find inner peace despite the fact her family is manic, and whose dating life is miserable. Ann doesn’t know how to say no and finds herself fixing everyone’s problems. Struggling to repair her estranged relationship with her sister Clio, Ann relies on her friends Roz, Max and Frances to be her rock and guide her through life’s troubling decisions.
呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman改編自英國著名作家艾米莉·勃朗特同名經(jīng)典作品，英格蘭北部的荒原之上，一場跨越階級的禁忌之戀正在上演。莊園之主的女兒凱茜（瑪格特·羅比 飾）與被收養(yǎng)的孤兒希斯克利夫（雅各布·艾洛蒂 飾）青梅竹馬，靈魂契合彼此深陷。愛意悄然滋長之時(shí)，現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開。多年以后，他攜風(fēng)暴回來，純潔的愛火逐漸從浪漫演變?yōu)榘V狂，譜寫了一曲關(guān)于欲望、愛與瘋狂的史詩篇章。
好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶變裝皇后家好與家人疏離，因媽媽罹患失智癥需貼身照顧，才久違回了家。母親記憶力衰退，不斷提起家好童年軼事，耿耿于懷。有次家好忘記卸妝被母親撞見，為安撫她，只好謊稱自己是母親失散多年的女兒，怎料母親信以為真，令家好展開一段療愈原生家庭創(chuàng)傷之旅。到底家好是否可以月圓？王國燊繼《男兒王》又一變裝皇后力作，聯(lián)同新加坡視帝許瑞祺和《花路阿朱媽》洪慧芳，將新加坡變裝皇后Sammi Zhen真實(shí)故事搬上大銀幕。