在線看
同款熱播
重度催眠
謝君豪,王杍逸,何杜娟,趙美鈞,韓儲鴿,楊帆三層的獨棟別墅里女孩發現了一具尸體，隨后警方及時趕到，經檢查后在案發現場又陸續發現了另外兩名死者，和別墅的主人董醫生。陳兵帶隊檢查現場發現了幾處疑點……幸存的董醫生經過治療逐漸恢復健康，并在醫院里向警察說出了一段怪異的經歷，雨夜別墅里發生的一切，都逐漸明朗開來……
寂靜的朋友
梁朝偉,盧娜·韋德勒,恩佐·布魯姆,蕾雅·賽杜,西爾維斯特·格羅特,黃云,盧卡·瓦倫蒂尼,菲利克斯·布羅斯,賴納·博克,瑪萊內·布羅,厄文·吉瑟,約翰內斯·赫格曼,斯凱·霍夫曼,約翰內斯·沙伊德魏勒,馬丁·烏特克在德國一座中世紀大學城的植物園中，一棵古老的銀杏樹靜靜矗立，見證著三個時代中人與自然之間的深層聯結。1908年，大學首位女性學生透過攝影鏡頭，在植物的微觀結構中發現宇宙的神圣秩序；1972年，一位沉默的青年在觀察天竺葵的過程中，悄然改變了對世界的感知；2020年，一位來自香港的神經科學家在研究嬰兒意識的同時，與這棵樹展開一場意想不到的實驗。
精靈寶可夢：去往超克的時空
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,西村千奈美,雪野五月,小西克幸,阪口大助,伊東美彌子,古島清孝,藤本讓,岸祐二,熊井統子,真堂圭,三宅健太,逢坂力,中西英樹,川上貴史,傳坂勉,寺谷美香,米澤圓,石冢運升,秋山龍次,馬場裕之,山本博,高島政宏,中川翔子,山寺宏一,北乃綺,美輪明宏以成為神奇寶貝大師為目標，小智（松本梨香 配音）、小剛（うえだゆうじ 配音）和小光（豊口めぐみ 配音）帶著各自的神奇寶貝在世界各地進行艱苦的修業之旅，今天他們歷經長途跋涉終于來到了風景秀美的米琪亞鎮。在當地一對小兄妹的介紹下，小智一行前往神殿遺址游玩。誰知卻遭遇了極其危險的情況。關鍵時刻，掌管時間的迪亞魯加和守衛神殿的西娜（北乃きい 配音）、凱賓（岸祐二 配音）幫助了他們，能與神奇寶貝心靈溝通的西娜還熄滅了冥王龍的怒火。從西娜口中得知，創造了世界的神奇寶貝即將蘇醒，它不僅會使時空扭曲錯亂，還將為世界帶來毀滅性的災難…… 本片為神奇寶貝系列第十二部電影劇場版。
靈異醫院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin影片《靈異醫院》講述的是一個有著不堪過去的女人在一家新近倒閉關門的醫院找到了一份核對病人簡歷復印件的工作，而孤獨一人在隔絕的醫院值夜班的過程中她經歷了一些神秘事件。有所警覺的她通過這些事件發現醫院可能和近日出現的謀殺案有關，而要破解這些謎團，首先她需要仔細梳理一下自己混亂的過去。
魚刺2025
黃婧儀,柴燁,陳佳寧,黃渲文,王一楠,陳創,王宏偉李琪和母親相依為命但關系緊繃，高考結束后，她在魚檔幫母親照顧生意。在同學小薇的生日聚會上，李琪在對方挑釁下摔壞了小薇的手機，面對索賠危機，李琪決定獨自解決。高考成績出來了，遠非母親想象的那般理想，李琪卻不愿聽從安排去復讀，令母女關系再度蒙上陰影……導演張旭煜的短片作品曾入圍二十余個國內外電影節展，這部長片首作則是“青蔥計劃”五強優勝項目。導演在片中巧妙運用多種意象隱喻角色心理，成長的隱痛如鯁在喉，而資深話劇演員王一楠和新生代演員黃婧儀也以充滿張力的互動精準詮釋了母女之間愛恨交加的親子關系。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.