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遺忘尼克
英格麗德·波爾索·貝達爾,露西·波爾,哈魯克·比爾根納爾,卡蒂婭·里曼,科斯馬·肖,羅伯特·西利格邪惡之屋
喬賽琳·唐娜休,湯姆·諾南,瑪麗·沃倫諾夫,格蕾塔·葛韋格,AJ·鮑恩,迪·沃倫斯,希瑟·羅博,莉娜·鄧納姆,格雷厄姆·瑞斯尼克,緹·威斯特地縛
拉菲·斯波,詹·穆瑞,大衛(wèi)·莫瑞瑟僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾?!ぢ迮逅?凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬馬路天使1937
周璇,趙丹,魏鶴齡,錢千里交響詩篇超進化2
人氣佳作
復(fù)仇公主斯嘉麗
蘆田愛菜,岡田將生,役所廣司,市村正親,吉田鋼太郎,齊藤由貴,松重豐,山路和弘,柄本時生,青木崇高,染谷將太,白山乃愛,白石加代子驅(qū)魔2024
羅素·克勞,芮安·辛普金斯,薩姆·沃辛頓,克洛伊·貝利,亞當·戈德堡,亞德里安·帕斯達,戴維·海德·皮爾斯,特雷西·邦納,瑪塞奈·麗奈特,約書亞·約翰·米勒,哈莉·塞繆爾斯,漢娜·布萊克,薩曼莎·瑪西絲,杰登·方丹,扎克·帕德羅,查德·邁克爾·貝爾德,德魯·布羅德里克自拍復(fù)印機
Shenina Cinnamon,奇科·庫爾尼亞萬,Lutesha,杰羅姆·庫尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達瑪拉風(fēng)林火山
金城武,劉青云,梁家輝,古天樂,高圓圓,杜德偉,鮑起靜,林俊賢,盧冠廷,姜珮瑤,衛(wèi)詩雅,甘國亮,盧海鵬,劉永,吳嘉龍,李元霸,任賢齊,夏韶聲,王德順,程東,狼森,尼克·福特導(dǎo)演精選
迷失太空
公元22世紀,因為人口過度膨脹、過度開發(fā)、環(huán)境極度惡化、食物也消耗殆盡。人類想要存活下去,就必須要到宇宙中去尋找新的可以棲身的星球。因此制造了一艘當時最先進的太空飛船,去考察發(fā)現(xiàn)的一顆可能適宜人類生存的星球。羅伯遜(威廉·赫特 William Hurt 飾)一家被選中擔(dān)負起了這次探索使命,他們將用10年的時間前往阿爾法星球??墒?,這次擔(dān)負起全人類命運的任務(wù)卻有反對的聲音,部分邪惡勢力妄圖阻止這次任務(wù)。所以,當羅伯遜一家駕駛太空船剛進入太空的預(yù)定軌道時,反對派史密斯博士暗中進行破壞,導(dǎo)致飛船脫離的正常的軌道迫降到了一顆不知名的星球上。飛船上邪惡勢力的阻撓,不知名星球上的種種危機,如何才能重新設(shè)定新的航線……各種問題困惑著羅伯遜一家,他們真的就此迷失太空,無法到達目的地了嗎?人類的命運將何去何從?
無限密室
弗蘭克被關(guān)在密室里,只有一臺人工智能計算機負責(zé)維持生命,但無論怎樣密室逃脫,只是回到另一個嵌套,隨著時間發(fā)展,出現(xiàn)了新的情況。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster