風月寶鑒之初入桃源洞[國]

8.8 播放：84萬 更新：2026-05-26
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最終測試

安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯

一部關于一群高中高年級學生被迫在學校度過一個周六完成一項考試，他們要么錯過了考試，要么考試不及格。一天下來，他們在自己和同學身上找到了自己的價值觀、背叛和愛。

走心男

權相佑,文彩元

影片翻拍自阿根廷電影《膝下無子》，講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。

全面追緝令

摩根·弗里曼,莫妮卡·波特,邁克爾·維克特,迪倫·貝克,米卡·波瑞姆,安東·葉利欽,金·霍桑,杰伊·桑德斯,比利·伯克,邁克爾·莫里亞蒂,佩內洛普·安·米勒,安娜·瑪利亞·霍斯福德,克里斯托弗·謝爾

　　亞歷克斯（摩根·弗里曼 Morgan Freeman 飾）是一名資歷豐富的警探，這一次，他被派遣負責國會議員女兒被綁架一案。杰姬（莫妮卡·波特 Monica Potter 飾）是負責保護被綁架女孩安全的特工，正為了自己的疏忽和失職自責不已，趁此機會，她強烈要求成為亞歷克斯的搭檔，一同偵破此案。　　隨著調查的深入，一個名為加里（邁克爾·溫科特 Michael Wincott 飾）的男人浮出了水面，除了綁架了議員的女兒，他還和城中發生的數起綁架案有著千絲萬縷的聯系。亞歷克斯和杰姬隨即展開了歲加里的追捕，然而，老奸巨猾的加里并不會輕易的被警方捕獲，恰恰相反，在不知不覺間，亞歷克斯走入了加里所設下的彌天陷阱之中。

消失的人

鄭愷,劉浩存,邱澤,李晨,姜妍,黃小蕾,李夢,張琪,畢雯珺,馮兵,滕哲,馮雪雅,湯心一

 一個尋常的清晨，唐宇（鄭愷 飾）的兒子在樓梯間憑空消失；隔壁單元里，獨居女孩林雨彤（劉浩存 飾）在熟睡中被人侵犯；賭鬼租客嚴午（邱澤 飾）滿身血污，謊編蹤跡藏匿尸體。這棟看似平靜、不起眼的居民樓里，每個擦肩而過的“熟人”，都有可能是藏著獠牙的惡鬼。當人心比鬼更可怕時，你每天出入的家門，都可能是通往地獄的入口……本片改編自豆瓣閱讀連載小說《海葵》，作者貝客邦。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.