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陰陽(yáng)師2001
野村萬(wàn)齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結(jié)衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇時(shí)期，京都長(zhǎng)岡被其胞弟早良親王怨靈詛咒，天災(zāi)人禍不斷。桓武天皇被迫遷都平安京，由此開(kāi)啟四百年平安時(shí)代序幕。彼時(shí)權(quán)貴內(nèi)部斗爭(zhēng)激烈，人民生活疾苦，世間因此怨靈叢生，人、鬼與怪物屏息同棲。隸屬于宮廷陰陽(yáng)寮的陰陽(yáng)師們，作為平衡天、地、人、鬼間矛盾的存在，自此活躍在歷史舞臺(tái)上，其中最為耀眼的便是身世成謎的安倍晴明（野村萬(wàn)齋 飾）。右近衛(wèi)中將源博雅（伊藤英明 飾）受托拜訪安倍晴明，被所目睹的奇異景象及晴明的個(gè)人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便從兩人宿命相識(shí)，結(jié)下珍貴情誼開(kāi)始。 宮廷內(nèi)近來(lái)異事頻發(fā)。左大臣藤原師輔之女誕下敦平親王，嬰兒降世卻身負(fù)詛咒。晴明招來(lái)蜜蟲(chóng)（今井繪理子 飾）和神秘女子青音（小泉今日子 飾），與博雅一同化解惡咒，卻反遭誣陷。原來(lái)一切皆是陰陽(yáng)頭道尊（真田廣之 飾）所為。他利用左右大臣間矛盾與后妃間爭(zhēng)寵頻生事端，更欲召喚出150年前的最強(qiáng)怨靈早良親王，將平安京徹底顛覆…… 影片根據(jù)夢(mèng)枕貘《陰陽(yáng)師》系列小說(shuō)改編。
選擇之她·他
王馨婕,陳驍,馬浚揚(yáng),林未,梁瀟雁,陳庭尉,劉海燕一個(gè)選擇，兩種人生軌跡。她的故事，還是他的真相？
恐懼之靈
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger一名男子在郊區(qū)一間空蕩蕩的房子里醒來(lái)，沒(méi)有記憶，手臂上沾著血跡。當(dāng)他瘋狂地洗掉血跡時(shí)，他發(fā)現(xiàn)那不是他的。他在房子周?chē)l(fā)現(xiàn)了一些便利貼，上面寫(xiě)著:“不要呆在這個(gè)房間里。”“別出去。”“別下樓。”他感到困惑，試圖追蹤這些神秘的信息，最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系，還有住在這所郊區(qū)房子里的惡魔。當(dāng)他越來(lái)越接近解開(kāi)他為什么在那里的謎團(tuán)時(shí)，惡魔變得越來(lái)越強(qiáng)大，考驗(yàn)著他的生存意志。
透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見(jiàn)明凡太朗《透明人與蠅男 》是由村山三男導(dǎo)演的特?cái)z科幻電影。一個(gè)發(fā)現(xiàn)可以把人變成和蒼蠅一樣大小的藥品的男人，開(kāi)始對(duì)給自己安上戰(zhàn)犯的罪的人復(fù)仇。某個(gè)物理學(xué)家為了從蠅男的恐怖中拯救人們決心成為透明人。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
真情未語(yǔ)
Juan Karlos Labajo,JC·桑托斯,RK Bagatsing,Jaime García Herranz一位年輕的傳教士發(fā)現(xiàn)自己已故父親保守多年的秘密，于是從菲律賓前往西班牙去尋找父親的禁忌之愛(ài)。