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雙雄出擊
王輝,張永華,李博,周承赟,張凱翔,艾科熱木,亓梓桓,戚彩,宋宇欣洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬,保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆爾維,馬修·德爾·內(nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬希·斯通,哈娜可·福特曼中國橋
馬躍洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯新萬圣節(jié)
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比維也納戰(zhàn)役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達-庫魯斯,彼得·亞當奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫普,喬治·盧帕諾,菲德莉卡·馬丁內(nèi)莉,詹尼·穆西,達尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內(nèi)春彥,沃伊切赫·麥克瓦爾達斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達林·德拉甘,斯蒂芬·揚庫,Edward Linde-Lubaszenko,Daniel同類推薦
飛機和火山
迪恩·凱恩,羅賓·吉文斯,勞倫斯·希爾頓-雅各布斯,Mike Jerome Putnam,Michael William Hunter,Laura Alexandra Ramos,Natalie Burtney當一架客機困在一堆噴發(fā)的火山中時,乘客和機組人員必須設法求生——在不降落的情況下。但在巖漿和火山灰的持續(xù)打擊下,機上的人產(chǎn)生了恐懼和不信任,威脅生命的不只是火山,人人必須學會合作,才能在火海飛行中活下去……
飛蛾日記
莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼美麗女孩蕾貝卡(莎拉·博格 Sarah Bolger 飾)是一家女子教會寄宿學校的學生,開朗熱情的她在學校結識了許多好朋友,其中金發(fā)女孩露西(莎拉·戈登 Sarah Gadon 飾)與之關系最為融洽。二人形影不離,無話不說,親密無間。新學期伊始,高挑冷艷的恩妮莎(莉莉·科爾 Lily Cole 飾)轉入她們的學校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適,可是露西似乎對其頗有好感,二人越走越近。與此同時,恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個恍如從哥特恐怖小說中走出來的女子,究竟藏著怎樣的秘密…… 本片根據(jù)Rachel Klein 同名暢銷科幻恐怖小說。
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥,吉田伶香,角由紀子,鳥之海凪紗,田中要次改編自二宮敦人的超人氣恐怖小說《惡鬼病毒》,講述YouTuber內(nèi)川智樹帶著他的朋友日名子、颯太和奈々枝來到傳聞中有著神秘失蹤事件的舊石尾村拍攝一段調(diào)查都市傳說的視頻。幾天后,警方在村外的一條隧道附近發(fā)現(xiàn)了四人租用的汽車,而在現(xiàn)場發(fā)現(xiàn)的一臺攝像機則記錄下了令人震驚的畫面。緊鎖的房屋、身著武裝制服的兒童、被關起來的成年人,以及在新月之夜發(fā)病的成年人......這個村子里究竟發(fā)生了什么?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
芭比真人版
瑪格特·羅比,瑞恩·高斯林,亞美莉卡·費雷拉,阿麗亞娜·格林布拉特,凱特·麥克金農(nóng),海倫·米倫,威爾·法瑞爾,伊薩·雷,哈莉·尼夫,艾瑪·麥基,亞歷山德拉·希普,莎朗·魯妮,妮可拉·考夫蘭,邁克爾·塞拉,康納·斯溫德爾,舒提·蓋特瓦,劉思慕,金斯利·本-阿迪爾,斯科特·埃文斯,杜阿·利帕,約翰·塞納,雷亞·普爾曼,里圖·阿亞,安娜·科魯茲·凱恩,埃默拉爾德·芬內(nèi)爾,詹米·德米特魯,安·羅斯,瑪瑞薩·阿貝拉,妮基塔·查達哈,安妮·瑪莫羅,麥肯納·羅伯茨,漢娜·卡利克-布朗,斯特林·瓊斯,黛布·海特,杰西卡·在夢幻浪漫的芭比樂園里,美麗自信的芭比們每日過著快樂無憂的生活,她們活躍在每一個工作崗位,肯是點綴,女孩的聚會才至關重要。直到某一天,我們的主角芭比(瑪格特·羅比 Margot Robbie 飾)突然提到了生死,她的完美生活毫無征兆發(fā)生改變。她的口氣不再清新,面容開始猶豫憔悴,也無法輕盈地從頂樓飄落下來。經(jīng)前輩點播,她意識到人類世界某個人和她建立著聯(lián)系,而那個人的心境似乎正投射到芭比的身上來。為了找回曾經(jīng)的完美生活,芭比和肯(瑞恩·高斯林 Ryan Gosling 飾)輾轉來到現(xiàn)實世界,并經(jīng)過一番波折見到了葛洛莉婭(亞美莉卡·費雷拉 America Ferrera 飾)母女,而肯也在見識到男權社會的魅力之后,心中升起要改變芭比樂園的念頭……