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亞當·桑德勒:愛你
丹·布拉,Jonathan Loughran,亞當·桑德勒,杰姬·桑德勒,羅伯·施奈德A new comedy special from Adam Sandler directed by Josh Safdie (making his comedy special directorial debut), Adam Sandler: Love You premieres globally on Netflix on August 27, 2024.
毛骨悚然撞鬼經 25周年特別篇
稻垣吾郎,香取慎吾,森七菜,山內健司,坂口憲二,生見愛瑠,門脅麥,山口紗彌加,豐島花,布施繪里
六號關口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.
大明嬪妃之逐鹿
宋洋,何杜娟,朱一龍,陳一諾,王藝曈,王春妹處死朱由樺的當天,朱由樺離奇失蹤,梅兒和蘭心都因此受到責罰。蘭心不顧太子反對,執意要將朱由樺送還給三皇子,卻發現馬車上的孩子竟然不翼而飛。蘭心和太子感情出現嫌隙,梅兒和金碧瑤使出渾身解數爭得太子寵愛。太子和萬歷等人到郊外狩獵,有人暗殺太子,梅兒為太子擋下一箭,生命垂危,太子深受感動,認為欠梅兒太多。上官鴻業調查太子行刺事件,卻發現幕后的真兇并不是眾人猜想的三皇子,而是梅兒。梅兒冊封當天,鄭貴妃揭出了梅兒乃娼妓之女的秘密,讓梅兒不能受封。鄭貴妃趁勢發動自己的親信彈劾上官鴻業,蘭心救父心切,卻誤會太子,兩人再次不歡而散。失蹤多日的朱由樺突然出現在蘭心房中,將朱由樺放入籃子中帶入宮去,卻被梅兒換成了旋兒,蘭心帶“朱由樺,”進宮,巧遇為上官鴻業來求情的太子,太子再次產生了誤會。在王恭妃和鄭貴妃的逼迫下,太子提劍殺死了璇兒 ,等知道時璇兒已經沒有了呼吸。蘭心傷心欲絕。蘭心帶幸存的朱由樺離去,太子策馬追去,卻尋不見蹤影了。皇上以太子妃一位不可久缺為由,冊封大學士王中澤之女王氏為太子妃。
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始,一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒,一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶,短暫的歇息。稍后,包子蒸熟,女主人端著它來到餐桌前。此時,她的老公已經起床,正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽,便匆匆上班去了。失落的女主人拿起最后一個包子,可剛一張嘴包子便大哭了起來。不知為何包子有了生命,而倍感孤獨的女主人格外開心,于是將包寶寶當做自己的孩子撫養。小包子一天天長大,他起初和女主人分外親近,但是他漸漸有了自己的個性,渴望獨立,渴望遠行……本片是《超人總動員2》的貼片短片,榮獲奧斯卡電影金像獎最佳動畫短片獎。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.