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同款熱播
布袋人
山姆·克拉弗林,安東尼婭·托馬斯,威廉·霍普,史蒂芬·克里,弗蘭基·科里奧,阿黛爾·萊昂斯,亨利·佩迪格魯,莎倫·D·克拉克,尼爾·林波,Jordan Gubian,Will Davis,Caréll Vincent Rhoden本片改編自民間傳說，幾個世紀以來，在不同的文化背景下，父母都會警告他們的孩子要小心傳說中的Bagman。Bagman會把無辜的孩子抓走，塞進那骯臟腐爛的袋子里，再也沒法回到父母身邊。Patrick McKee小時候曾逃過此劫，但這給他的生活留下了永久的創傷。現在，Bagman又回來了，威脅著他妻子Karina和兒子Jake的安全。
猩球崛起：新世界
歐文·泰格,弗蕾婭·艾倫,凱文·杜蘭,皮特·馬孔,威廉姆·H·梅西,艾卡·達維爾,迪辰·拉克曼,尼爾·桑迪蘭茲,薩拉·懷斯曼,莉迪亞·佩克漢,特拉維斯·杰弗里,拉斯-塞繆爾·瓦爾達布茲,尼娜·加拉斯故事設定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進化為高級智慧生物的猿類一躍成為食物鏈頂端的王者。時移世異，暴虐的猿類首領賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起，這是世界新秩序誕生的黎明時分。神秘的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現，引起了賽撒的警覺。她似乎掌握著一個巨大的秘密，不僅關乎人類的存亡，甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運交匯，揭開了一段冒險的旅程。
殺手護士
米婭·查利斯,喬內塔·凱澤,羅布·梅耶斯當一名護士同事在神秘的情況下死亡后，兩名巡回護士必須撥開醫院里重重秘密迷宮，才能揭露兇手。
總統班底
達斯汀·霍夫曼,羅伯特·雷德福,杰克·沃登,馬丁·鮑爾薩姆,哈爾·霍爾布魯克,F·默里·亞伯拉罕,簡·亞歷山大,杰森·羅巴茲根據水門事件揭發人Carl Bernstein和Bob Woodward所寫自傳改編的電影。二人是《華盛頓郵報》的記者，在水門事件里，他們歷盡艱辛揭開政治黑幕，人物和事件一同成為美國一段家喻戶曉的歷史。故事由五名盜賊開始，他們潛入水門大度行竊。本來是一樁不甚重大的刑事案件，卻在Bernstein（達斯汀·霍夫曼Dustin Hoffman 飾）和Woodward（羅伯特·雷德福Robert Redford 飾）的追查下，最終撕開了一條大裂縫，矛頭直指總統尼克松。從1972年到1974年，從尼克松競選總統到尼克松連任上臺，華盛頓郵報受到的壓力越來越大，甚至被威脅。主編本·布萊德利站在了新聞自由和相信自己記者的這邊，Bernstein和Woodward得以繼續追尋事件真相，得到了重要線人“深喉”的幫助，經歷了難以想象的曲折艱辛后，水門事件最終導致尼克松總統下臺。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鄰居的窗
瑪麗亞·迪齊亞,格雷格·凱勒,Juliana Canfield短片講述了一個帶著三個孩子的母親，因為日常生活和丈夫陷入沮喪。而這時，她發現自己可以通過窗戶看到住在對面鄰居的生活...