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唐宮蜜史
胡高峰,陸雨萍,張辰馳不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍鬼嬰廟
Arisara Tongborisuth,Pitchanart Sakakorn,Somchai Khemklad榮耀嘻哈
莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠三聲再見
阿爾芭·羅爾瓦赫爾,埃利奧·杰曼諾,弗朗切斯科·卡里爾,西爾維婭·達米科,加拉泰亞·貝露琪,薩莉塔·喬德霍里,洛倫佐·特倫齊,索菲婭·德利婭,斯蒂法諾·布拉奇,彼得羅·斯帕沃利,孫克古·鄭,馬泰奧·卡洛馬尼奧,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰瑪,亞歷山德羅·洛·卡塞托,科西莫·德西伊,特奧多羅·吉安班科,朱利婭·瓦倫蒂,托馬索·阿爾納爾迪空氣之魂,云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis導演精選
婚前脫單快樂
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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一對黑人兄妹相依為命,哥哥卻被白人警察誤殺,你猜猜她會怎么辦?對抗強權為黑人群體發聲?并不,妹妹居然造了一架時光機器,回到過去好讓自己的哥哥免于槍殺!