即刻觀影
劇情賞析
編輯推薦
騷亂俱樂部
杰西卡·布朗·芬德利,娜塔莉·多默爾,山姆·克拉弗林,道格拉斯·布斯,荷麗黛·格蘭杰,馬克斯·艾恩斯,薩姆·里德,湯姆·霍蘭德爾,奧利·亞歷山大,本·施耐澤,托尼·威,弗萊迪·福克斯,馬修·比爾德,Amanda Fairbank-Hynes,澤維爾·阿特金斯 Xavier Atkins,杰克·法辛影片追隨兩位牛津大一新生，Miles（麥克斯·艾恩斯）以及Alistair（《饑餓游戲》男星山姆·克拉弗林），他們加入“騷亂俱樂部”（Riot Club）的過程和經(jīng)歷。根據(jù)電視特輯所說，騷亂俱樂部成員不到十人，都是精英中的精英，而要進(jìn)入這個(gè)精英團(tuán)體可不容易，隨后的片段中，Alistair 就喝下了一杯，加了煙頭、蠕蟲等各種難以想象的惡心“佐料”的紅酒。 影片改編自2010年火爆倫敦的劇作“Posh”，騷亂俱樂部的原型據(jù)說是牛津大學(xué)著名的布靈頓俱樂部（Bullingdon Club），英國許多政要，包括首相卡梅倫，倫敦市長鮑里斯·約翰遜都是其中成員。其奢華的晚宴，以及狂暴的“入會(huì)儀式”，比如在學(xué)校餐廳和寢室“打砸搶”等，也同樣出名。
殺人漫畫
嚴(yán)基俊,李施吟,金顯祐,吳光祿當(dāng)紅網(wǎng)絡(luò)恐怖漫畫作家姜知允（李詩英 飾）新作接連問世，備受好評。而生活中她似乎越來越分不清現(xiàn)實(shí)和虛幻的界限，不僅經(jīng)常遭遇極度逼真的恐怖噩夢，身上還常出現(xiàn)莫名其妙的傷口。某個(gè)夜晚，姜作家的責(zé)編徐美珍以極其殘忍的方式自虐身亡，而其死亡過程和現(xiàn)場慘狀竟與姜作家不久剛剛發(fā)給她的新作內(nèi)容如出一轍。未過多久，又發(fā)生了一起和漫畫內(nèi)容相似的殯儀館殺人事件。盆唐警局刑警琪哲（嚴(yán)基俊 飾）和后輩金永秀（金顯祐 飾）介入調(diào)查，并慢慢追蹤到姜作家鮮為人知的背景。 霓虹燈下鬼影幢幢，每個(gè)人心中都有不愿為人知曉的秘密，冤有頭，債有主。因果報(bào)應(yīng)，毫厘不爽……
死人開關(guān)
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale故事發(fā)生在1977年2月8日，圍繞一名44歲的前房地產(chǎn)開發(fā)商Tony Kiritsis展開。他用槍劫持了貸款公司總裁Richard O. Hall，并在其身上綁了一個(gè)“死亡開關(guān)”，以此脅迫這位總裁在幾近零度的天氣里當(dāng)著警察和記者的面穿過市中心的街道。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
百燭游戲2
Magui Bravi,Nacho Francavilla,Josefina Fari?aA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
害蟲
宮崎葵,蒼井優(yōu),田邊誠一,涼,伊勢谷友介少女幸子（宮崎葵飾）和老師的師生戀緋聞被傳得風(fēng)風(fēng)雨雨，相依為命的母親稔子（Ryo飾）則自殺未遂。打擊不斷的生活令幸子無法承受，升入中學(xué)后，她不去上學(xué)，每天閑逛打發(fā)時(shí)間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后，幸子和好友夏子（蒼井優(yōu)飾）返回了學(xué)校。 不久后，她又差點(diǎn)被母親的新歡德川強(qiáng)暴。謠言又起，幸子失望地離開學(xué)校。昔日的老師戀人現(xiàn)在發(fā)電所工作，幸子準(zhǔn)備去他那里。然而在約定的小茶店里等了很久，他還是沒有出現(xiàn)。灰心的幸子跟一個(gè)前來搭訕的男子離開茶店……