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謊島美人魚
溫碧霞,禾浩辰,歸亞蕾,庹宗華,董至成,劉國劭,雷艾美,吳大維,黃詩棋那個(gè)孩子是誰?
澀谷凪咲,早瀨憩,山時(shí)聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司超乎想象2
丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾糖果 ??
崔智友,高東河守護(hù)惡魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong寒戰(zhàn)1994
吳彥祖,劉俊謙,吳慷仁,謝君豪,王丹妮,廖子妤,艾丹·吉倫,休·博納維爾,周潤發(fā),郭富城,梁家輝,古天樂,元彪,葉童,陳以文,莫文蔚,周文健,陳家樂,白只,彭敬慈,朱鑒然,譚旻萱,何啟華,楊樂文,邱士縉,魏浚笙,林嘉華,太保,楊天宇,高海寧,鄭則仕,張可堅(jiān),麥沛東,陳湛文,陳偉雄,張達(dá)倫,栢天男,林家熙同類推薦
長腿
麥卡·夢露,尼古拉斯·凱奇,布萊爾·安德伍德,艾麗西亞·維特,米歇爾·喬伊-李,達(dá)科他·道爾比,勞倫·阿卡拉,琪蘭·席普卡,賈森·戴,麗莎·錢德勒,萊拉·麥金托什,卡梅爾·阿密特,沙芬·卡里姆,丹尼爾·巴孔,瓦內(nèi)薩·沃爾什,斯科特·尼科爾森橫跨30年的10宗滅門慘案,所有遇害家庭都有一個(gè)共通點(diǎn):有一位14號生日的小女生。
假面復(fù)仇
Marco Giallini,Edoardo Leo,Catrinel Marlon騙子離開大衛(wèi)破產(chǎn),失業(yè)& -他的女朋友。所以他開始找到騙子但是復(fù)仇并不是在他的腦海中。
杜塞
瓦萊麗亞·布魯尼·泰德斯基,諾米·梅蘭特,文森佐·內(nèi)莫拉托,范尼·伍羅奇納,福斯托·魯索·阿萊西,馬切羅·馬扎雷拉,文森佐·皮羅塔,費(fèi)德里科·帕西菲奇,選填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,薩維諾·帕帕雷拉,Vincenzo IantornoA portrait of actress Eleonora Duse.
用武之地
肖央,齊溪,任達(dá)華,鄭愷,潘斌龍,法提,奧黛麗·歐塔維阿諾影片取材自境外幸存人質(zhì)真實(shí)自救經(jīng)歷。 駐外記者馬笑(肖央 飾)和志愿醫(yī)生潘文佳(齊溪 飾)夫婦,陪同工程師苗峰(鄭愷 飾)赴郊區(qū)修理基站,當(dāng)?shù)鼐謩萃蛔儭H艘宦范惚芸植澜M織的無差別襲擊,最終還是被綁架淪為人質(zhì),并在獄中結(jié)識了華僑商人周偉杰(任達(dá)華 飾)。面對恐怖分子聞所未聞的屠殺暴行和以命換錢的勒索,他們歷經(jīng)105天,展開了一場驚心動魄的自救逃生。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.