影片推薦
惡靈重喪
Joshua Suherman,Irsyadillah,Annette Edoarda秩序的守護者
Cécile De France,Julien Boisselier猩球崛起
安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴丁斯,克里斯托弗·戈登,德文·達爾頓,杰·卡普托,大衛·奧伊羅,杰米·哈里斯背后有人2025
鄭文森,王子涵,鄒超軍,劉剛,萬斯佳X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊兇兆1976
格利高里·派克,麗·萊米克,大衛·沃納,比莉·懷特勞,哈維·史蒂芬斯,帕特里克·特羅,馬丁·本森,羅伯特·里耶蒂,湯米·杜根,約翰·斯特賴德,安東尼·尼科爾斯,霍利·帕蘭切,羅伊·博伊德,弗蕾達·道伊,希拉·雷諾同類精選
自殺森林
娜塔莉·多默爾,泰勒·金尼,歐文·馬肯,斯蒂芬妮·沃格特,小澤征悅,Rina Takasaki,櫻井北子,Y?ho Yamashita,藤本政志嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris19 十九
錦織一清,東山紀之,植草克秀,小澤夏木,坂井徹,山本哲平情感價值
雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol走心男
權相佑,文彩元清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,張榮祥 Cheung Wing-Cheung,屈剛,張媛鈺,賈天明,景樂,韓則怡 Zeyi Han,武岳 Yue Wu,張懷公,洪子龍 Zilong Hong,劉浩嵐 Haolan Liu,劉開心 Kaixin Liu影視排行
炫舞我人生
董維恩,陳樂添,杜梵,李純洱幾個年輕時懷揣街舞夢想的青年,多年后經歷了人去人走、世故變遷,懷著對朋友的懷念,懷著對未來的憧憬,又重拾了自己年輕時的夢想,用舞蹈詮釋了人生態度……
馬路天使1937
周璇,趙丹,魏鶴齡,錢千里1930年代,小云、小紅(周璇)姐妹被人騙到上海賣給琴師和妓院老鴇夫婦,小云被迫做了暗娼,小紅年紀尚小,又天生有一副好嗓子,便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟,在她們對面,住的分別是報販老王和吹鼓手陳少平(趙丹)。因為閑來無事時陳少平常同小紅對窗玩鬧,兩人漸生感情。 小紅賣唱時被流氓古成龍纏上,對方欲強霸她為妾,小紅找陳少平商量對策,兩人本想借助律師將正義伸張,不想律師雙眼只認錢,無奈之下只得逃走,而這一過程中,老王對小云由憐生愛,可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落,放風給古成龍,古成龍趕到小紅住處時,屋里只有她和小云,兩人生命危在旦夕。
陰陽眼見子2025
原菜乃華,久間田琳加,奈葉,山下幸輝,堀田茜,吉井憐,高岡早紀,京本大我,瀧藤賢一改編自泉朝樹創作的同名暢銷漫畫,講述女高中生突然發現自己能看到鬼魂,她選擇假裝看不見,即使同學被鬼魂纏身,她也視而不見。她能通過這種方法克服這場危機嗎?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.