劇情簡介
被叫到上司家里的男人和上司的妻子崎見面。在那里與她的博客顧問交換聯系方式。星期五晚上，薩基突然打來電話。回家后，誘惑開始了……周末3天，上司的妻子和下屬男人的婚外情欲望交織在一起。
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一勺巧克力
沙梅克·摩爾,帕麗斯·杰克遜,布萊爾·安德伍德,RJ·賽勒,艾默莉·克魯奇菲爾德,邁克爾·哈爾尼,Harry GoodwinsThe film follows an ex-military convict who leaves the city for a small town where he ends up finding love, danger and more trouble than he can handle.
盲目交易
克里斯平·格洛弗,Lucy Loken,Annalisa Cochrane,Lulu Bailey,Claudia MacLeod,Alex Ghantous,Jake Horowitz故事背景設定在1970年，影片對1922年同名的失傳無聲電影進行了重新演繹。一個絕望的年輕人與一個精神失常的醫生達成了一項黑暗的交易，他將自己的母親作為實驗對象，供這位醫生進行其扭曲的實驗。
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經起床，正目不轉睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當做自己的孩子撫養。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。
大話修仙
孫槐志一天欣欣來到一家古董店，連呼數聲有人么，不見有人回應，偌大的古董店空無一人。由于好奇心的驅使欣欣不管三七二十一自娛欣賞起來，不斷的被眼前的物品所震懾所陶醉，就在此時突然有一人出現，嚇了欣欣一跳。此人行徑古里古怪，不過欣欣也沒有放在心上，欣欣與其交談數據之后又繼續欣賞起古董來，然而奇怪的事情就在此時悄然發生了……
黑天鵝1942
泰隆·鮑華,瑪琳·奧哈拉,拉爾德·克雷加,托馬斯·米切爾,喬治·桑德斯,安東尼·奎恩,喬治·祖科故事背景設定在16世紀的英國，海盜首領莫根船長（拉爾德·克雷加 Laird Cregar 飾）受到國王查理的特赦，并被任命為牙買加總督。一位年輕而勇敢、機智而英俊的年輕人沃林（泰隆·鮑華 Tyrone Power 飾）決定跟隨莫根船長前往牙買加。然而，莫根過去的下屬、狡猾而殘忍的里奇船長（喬治·桑德斯 George Sanders 飾）卻拒絕接受莫根的領導，繼續在海上進行搶劫商船的行為。為了消滅海盜，沃林率領船隊出海，在航行途中偶然與里奇的“黑天鵝號”，并和其他兩艘船發生了遭遇戰。面臨險境，沃林不得不機智地假裝前來投降并投靠里奇。通過巧妙周旋和激烈戰斗，里奇最終受到了懲罰，他的“黑天鵝號”徹底被摧毀。與此同時，貴族小姐瑪格麗特（瑪琳·奧哈拉 Maureen O'Hara 飾）對沃林從厭惡逐漸轉變為敬佩，最終產生了愛慕之情，展開了一場曲折而離奇的愛情故事。
夏洛克：未敘之章特別篇
藤岡靛,巖田剛典,木南晴夏,山田真步,佐佐木藏之介好評のうちに最終回を終えた『シャーロック』。このたび23日（月）21時～22時48分に『シャーロック特別編』を放送することが決定しました。そして木南晴夏さんがゲスト出演します。木南さんが演じるのは、フリージャーナリスト?門司かれん（もんじ?かれん）。16日（月）最終回のラストシーンで、獅子雄（ディーン?フジオカ）はついに宿敵?守谷壬三（大西信満）と対峙。しかし獅子雄は、若宮（巖田剛典）や江藤（佐々木蔵之介）の目の前で守谷と共に海中に沈んでしまいました。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.