好色花でんしゃ

評分：1.9 播放：82萬 更新：2026-05-27
主演： 渡辺護/

　　好色花でんしゃ                                        　　神戸ではポートピアが開催されにぎわいをみせる大阪─。都築兵太郎（伊吹太郎）、32歳。妻の丸子（鹿沼えり）、ガードマンをしている父親兵助（南方英二）と三人は平凡な生活をしていた。しかし、兵太郎が仕事に失敗。気が付けば借金の山???。にっちもさっちもいかなくなり、借金と女房、父親を殘して姿を消してしまう兵太郎。早速、丸子と兵助の元に金融業者が現れ「亭主が借金こさえて蒸発したため、女房が體を売って借金を返したという話もある。そのぐらいの誠意をみせてもらわんと」と返済を強要され『お座敷ショー』に出る気はないかと誘われる。                                        　　丸子は悩む。離縁し自分も逃げれば済むのだが、兵太郎を殘していけない???。そして、丸子は決斷する！                                        　　お義父さん、うちこんなん初めてや??????珍寶！絶頂！卍責め！絶倫親娘の巡業セックス！                                        　　蒸発した主人が殘した借金返済のため..海外影視

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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