冰點下的幸福

評分:6.2 播放:42萬 更新:2026-05-28

三十歲的希瑙對人生沒有大的追求,整日瀏覽色情網站,晚上與朋友喝酒胡混,閑賦在家靠領取救濟金生活,并且不會處理與女人的關系,他的女友奧菲對他真心實意而他卻心不在艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。恰逢圣誕節母親回外婆家時,她的朋友勞拉(維多利亞?阿夫里爾 Victoria Abril 飾)來家里做客并住下了,倆人遂發生了關系,事后勞拉毫不在乎而希瑙卻陷入了苦惱。次日母親回家告訴他她竟然與勞拉是情人關系,于是希瑙每天便看著自己的情人勞拉和母親相擁在床。一日勞拉告訴他,她懷孕了,并且要和希瑙的母親養大這個孩子組成一個完整的同性戀家庭,而這個孩子正是希瑙的,希瑙面對眼前這雜亂的關系,不知如何面對......

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TOKYOMER~移動的急救室~南海任務電影版

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2025年,在鹿兒島縣與沖繩縣,搭載著配備手術室的特種車輛的渡輪已開始進行試運行。赴任的喜多見與夏梅在離島從事醫療工作。某日,鹿兒島縣的諏訪之瀨島發生火山噴發,為營救島民,他們毅然挑戰這項九死一生的任務。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

麥卡托·騎士

水澤林太郎,須賀健太,恒松祐里,新木宏典,弓木奈於

人氣女作家(恒松祐里)向惡名昭彰的私家偵探麥卡托(水澤林太郎)提出調查委托,稱“自己可能正遭人追殺”。每天送達的神秘撲克牌仿佛預示著“殺人倒計時”,這究竟意味著什么……?麥卡托與他的助手兼作家美袋三條(須賀健太)的推理鋒芒畢露——。