安娜情欲史2005
安娜（格萊·貝GryBay飾）一直堅信，男友喬納（馬克·史蒂文斯MarkStevens飾）是自己的真命天子，但是很顯然，喬納并不這么想，他拋棄了安娜，開始了獨自探索世界的旅程。一晃五年過去了，這五年里，安娜從來都沒有忘記過去喬納，終于，在日復一日的痛苦中，安娜想通了，她開始了在陌生人身上尋求安慰的混亂生活。 一次偶然中，安娜結識了名叫弗蘭克（ThomasRaft飾）的男子，弗蘭克的溫柔和善良逐漸治愈了安娜的內心，就在安娜重新振作只是，喬納居然回到了安娜的身邊，重新陷入糾結的安娜離開了弗蘭克，但幾乎是在同時，喬納再度失去了音訊。安娜將注意力轉移到了工作上，但在內心里，她明白，喬納總有一天還會回來海外搶先電影
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亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital曾經為國家而戰的男人，如今必須對抗來自內部的敵人，才能守護自己的家園與家人。
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Michael Eklund,Karoline Herfurth,Tómas LemarquisDr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to a former colleague’s important project, a human regeneration gene, has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is a psychological thriller about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.
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得閑謹制
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster