人妻之龍：絕頂升天
因嚮往空手道而從美國(guó)來(lái)到日本的丹尼爾，這天又被鄰居太太指責(zé)他丟垃圾的方式不符日本規(guī)矩。這時(shí)美女鄰居麻耶剛好路過(guò)，親切地以英文為他解釋丟垃圾的方式，丹尼爾立刻對(duì)麻耶一見(jiàn)鍾情，但丹尼爾知道麻耶有一位名叫悅史的男友。為了要放棄對(duì)麻耶的愛(ài)戀，丹尼爾到道館專心練習(xí)空手道。在同家道館練習(xí)的伙伴友里惠美知道丹尼爾喜歡麻耶，因此常陪他練習(xí)空手道和談心，給丹尼爾不少勇氣。這天，丹尼爾發(fā)現(xiàn)女神麻耶竟坐在公寓前艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
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急凍奇?zhèn)b
元彪,元華,張曼玉,林聰,吳志雄,黃耀明 Anthony Wong Yiu,黎燕姍,徐錦江,元奎,王晶故事開(kāi)始于明朝，鳳三（元華 飾）心腸歹毒，無(wú)惡不作，身為錦衣衛(wèi)，同時(shí)又是鳳三的師弟，方守正（元彪 飾）發(fā)誓要將鳳三繩之于法。然而，鳳三此人詭計(jì)多端，甚至想要偷取能夠扭轉(zhuǎn)時(shí)空的黑玉佛，借此逃脫法網(wǎng)，幾番爭(zhēng)斗之后，兩人雙雙跌落山崖。 時(shí)光荏苒，轉(zhuǎn)眼已是現(xiàn)代，考古隊(duì)在雪地中挖掘出了鳳三和方守正被冰封住的尸體，將兩人運(yùn)往美國(guó)研究，然而，途中一場(chǎng)意外卻令兩人死而復(fù)生。方守正于機(jī)緣巧合之下遇見(jiàn)了名為阿玉（張曼玉 飾）的不良少女，陰差陽(yáng)錯(cuò)的成為了她的保鏢，而鳳三不改奸邪本性，加入了黑社會(huì)，繼續(xù)為非作歹。當(dāng)方守正得知鳳三依舊作惡多端后，他決定繼續(xù)自己未完成的使命。
7號(hào)房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達(dá)洙,樸元尚,鄭滿植,葛素媛1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛(ài)的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡(jiǎn)單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長(zhǎng)的女兒。龍久懵懂無(wú)知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號(hào)牢房中，聚集著走私犯蘇楊浩（吳達(dá)洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬(wàn)范（金正泰 飾）、恐嚇?lè)咐闲欤ń鸹鶢N 飾）和搶劫犯申奉植（鄭萬(wàn)植 飾）等五毒俱全的“社會(huì)渣滓”。龍久孩子般純潔的心漸漸感動(dòng)了這幾個(gè)“大壞蛋”，他們甚至不惜冒險(xiǎn)將藝勝帶入牢房與父親相會(huì)。黑暗冰冷的監(jiān)牢內(nèi)，7號(hào)牢房陽(yáng)光滿滿……
絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler JohnsonA clan of watermen capture a crew of sport fishermen who must then fight for their lives.
雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林回望歷史所帶來(lái)的震撼，它讓我們牢記：中華兒女只要萬(wàn)眾一心，就能抵御一切來(lái)犯之?dāng)常湍軐?shí)現(xiàn)屹立于世界民族之林的中國(guó)夢(mèng)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
北京遇上西雅圖之不二情書
湯唯,吳秀波,惠英紅,秦沛,吳彥姝,顏?zhàn)快`,王志文,陸毅,祖峰,王茜,劉志宏,張一白,艾麗婭,李燦森,陳創(chuàng),韓張焦嬌（湯唯 飾）15歲就來(lái)到了澳門，過(guò)著顛沛流離的生活，之后成為了賭場(chǎng)公關(guān)。羅大牛（吳秀波 飾）早年來(lái)到美國(guó)，一番摸爬滾打，如今已經(jīng)是小有名氣的加州房地產(chǎn)經(jīng)紀(jì)人，事業(yè)一帆風(fēng)順的他在情場(chǎng)上自然步步為贏，是公認(rèn)的鉆石王老五。 一本名為《查令十字街84號(hào)》的書讓這一對(duì)生活毫無(wú)交集的男女走到了一起，兩人通過(guò)電子郵件進(jìn)行交往，透過(guò)種種誤會(huì)和波折，最終發(fā)現(xiàn)彼此是自己的靈魂伴侶。在此期間，焦嬌徘徊在鄭義（陸毅 飾）、鄧先生（王志文 飾）和詩(shī)人（祖峰 飾）之間不知何去何從，而羅大牛則在同華裔老夫妻林平生（秦沛 飾）和唐秀懿（吳彥姝 飾）的交往當(dāng)中逐漸發(fā)現(xiàn)了人生的道義。