萬字1964

? 3.4 播放：25萬 2026-05-29
主演： 增村保造/

(1964) ，律師之妻柿內(nèi)園子(岸田今日子飾)為了排解生活上的沉悶，到藝術(shù)學(xué)校學(xué)習(xí)繪畫，結(jié)識了富家千金德光光子(若尾文子飾艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。園子被對方的美貌所吸引，以致繪畫課時不知不覺畫了光子的像。學(xué)校里流言紛紛，慚愧的園子偶遇光子，對方卻十分友好，二人漸漸發(fā)展成同性戀人。 園子沉醉在這段同性戀情的同時，卻發(fā)現(xiàn)光子在外頭養(yǎng)了一個小白臉─棉貫榮一郎(川津佑介飾)。園子答應(yīng)與棉貫共同分享光子，卑劣的綿貫卻將雙姝的私情 告訴園子的丈夫孝太郎(船越英二飾)，使孝太郎對妻子和友人的關(guān)系起了疑心，園子和光子決定假扮自殺、懷孕等，以避開他們的耳目。 可是，連孝太郎都對光子產(chǎn)生非份之想，兩夫妻與光子的關(guān)系更趨復(fù)雜，甚至甘愿被她玩弄于股掌之中 hellip; hellip;

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劇情提要

(1964) ，律師之妻柿內(nèi)園子(岸田今日子飾)為了排解生活上的沉悶，到藝術(shù)學(xué)校學(xué)習(xí)繪畫，結(jié)識了富家千金德光光子(若尾文子飾艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。園子被對方的美貌所吸引，以致繪畫課時不知不覺畫了光子的像。學(xué)校里流言紛紛，慚愧的園子偶遇光子，對方卻十分友好，二人漸漸發(fā)展成同性戀人。 園子沉醉在這段同性戀情的同時，卻發(fā)現(xiàn)光子在外頭養(yǎng)了一個小白臉─棉貫榮一郎(川津佑介飾)。園子答應(yīng)與棉貫共同分享光子，卑劣的綿貫卻將雙姝的私情 告訴園子的丈夫孝太郎(船越英二飾)，使孝太郎對妻子和友人的關(guān)系起了疑心，園子和光子決定假扮自殺、懷孕等，以避開他們的耳目。 可是，連孝太郎都對光子產(chǎn)生非份之想，兩夫妻與光子的關(guān)系更趨復(fù)雜，甚至甘愿被她玩弄于股掌之中 hellip; hellip;

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

復(fù)仇：愛的故事

　　緹娜（安娜·哈金森 Anna Hutchison 飾）帶著十二歲的女兒貝斯（特麗莎·貝特曼 Talitha Bateman 飾）于午夜走在回家的路上，遇見了一群小混混，小混混們強暴了緹娜，貝斯作為目擊證人將施暴者們的面容牢牢記在了心底。在法庭上，貝斯當(dāng)庭指認(rèn)了兇手，然而，被告方找來了一位毫無道德底線并且巧舌如簧的律師，他們聯(lián)手栽贓緹娜，顛倒是非黑白，而法官也只想息事寧人?！　〖s翰（尼古拉斯·凱奇 Nicolas Cage 飾）是一名從業(yè)多年的老警官，雖然表面風(fēng)光，但實際上他正在遭遇人生的中年危機。緹娜的案件激發(fā)起了約翰內(nèi)心里熄滅已久的正義感，他決定挺身而出幫助這對可憐的母女。