小希希土肥圓矮挫窮化身美人魚海邊嬉戲

評分:2.3 播放:89萬 更新:2026-05-29
主演: 未知/

小希希土肥圓矮挫窮化身美人魚海邊嬉戲

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老周夜驚情

王曉禹,麥霽雯,紀(jì)仁君,陳最,張洪銳,徐波,伊哲,阮妹陛,和善

年過半百的養(yǎng)蜂人老周一生被金錢困擾,身患重病后不愿拖累在外打拼的兒子,獨(dú)自住進(jìn)一家老舊酒店,打算在最后一夜寫下遺書,安靜告別。   可這一晚,他卻接連迎來三位不速之客:行蹤詭異的房客、鬧得雞飛狗跳的年輕人、帶著熟悉氣息的少女。   三段荒誕又驚險(xiǎn)的奇遇,讓老周親身經(jīng)歷了如同電影般的“犯罪”“鬧劇”“愛情”。他由此漸漸懂得,親情與真心,遠(yuǎn)比金錢更加珍貴。一夜之間,他對人生、對陪伴、對愛,都有了全新的答案。

鬼聲波

羅絲·麥高恩,克里斯托弗·洛伊德,邁克爾·艾克朗德,理查德·古恩,Jane Moffat

  A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.

禮拜天2025

布蘭卡·索羅亞,帕特里夏·洛佩斯·阿奈斯,米格爾·加爾塞斯,胡安·米努欣,瑪貝爾·里維拉,Nagore Aranburu,Irina Robledo Espinosa,Nora Careaga Iglesias,Neizan Alonso Hernández,Leire Zuazua,María Rodríguez Maribona Delgado,Guille Zani,Itziar Aizpuru,Bego Arístegui,Florinda Okomo,Noe Chiroque,Ainhoa Já

這部電影向我們介紹了Ainara(由Blanca Soroa飾演),一個(gè)年輕、有天賦和理想主義的17歲女孩,他必須決定在大學(xué)學(xué)習(xí)哪門學(xué)科。或者至少這是她的家人希望她做的。然而,這個(gè)女孩透露了一個(gè)事實(shí),即她覺得自己越來越接近上帝,她準(zhǔn)備接受一個(gè)隱居修女的生活。這個(gè)重磅炸彈讓整個(gè)家庭都大吃一驚,造成了裂痕,對他們所有人來說都是一個(gè)試金石。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster