忘記初戀

評分：7.4 播放：80萬 更新：2026-05-29
主演： 未知/

海外搶先電影

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身體集合.zip

金玟錫,金彩恩,權雅凜,姜俊圭,金亞炫,趙宇麗

　　老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當集滿身體所有部位時，血淋淋的恐懼就會覺醒！

殺出魔鬼鎮(zhèn)

丹尼斯·歐哈拉,艾狄森·蒂姆林,蓋瑞·科爾,斯賓塞·崔特·克拉克,喬舒華·萊納德,維羅尼卡·卡維特,愛德華·赫曼,約翰·威斯利·查特曼,埃德·勞特爾,阿拉貝拉·菲爾德,蘭斯·E·尼克爾斯,斯塔萊特·米亞里奧尼,Morganna May,Dodie Brown,Raiden Integra

　　美聯(lián)社、《生活》雜志等著名媒體都曾報道過1964年的“月光兇殺案”，當時小鎮(zhèn)墜入一片恐慌，一到黃昏就全鎮(zhèn)戒嚴，全副武裝的警察上街巡邏。直到三個月再無襲擊發(fā)生，警察才逐漸撤出。1976年，曾有一部根據(jù)該案件改編的同名影片上映。兩名幸存者描述兇手有六英尺高，頭戴面具，只露出眼睛和嘴巴。　　2014年版《殺出魔鬼鎮(zhèn)》中，連環(huán)兇殺再度開始，面具殺手時隔六十多年重現(xiàn)特克薩卡納，究竟是有人故意模仿，還是有更恐怖的事情暗中醞釀？一個孤獨的高中女生，似乎知曉解開這一切的秘密。

伊沃克人：為恩多而戰(zhàn)

Wilford Brimley,Aubree Miller,Sian Phillips

　　由國王Terak和女巫Charal所帶領的掠奪者軍隊襲擊了伊渥克族人的村莊。Cindel的父母和兄弟全都死于這場襲擊。Cindel與一個伊渥克族人Wicket逃了出來。在一片森林里，他們遇見了Teek這只非常淘氣也非常敏捷的野獸。Teek把他們二人帶來一位老人Noa的住處。而這位Noa有著與Cindel相似的經(jīng)歷——他乘坐的星際巡洋艦也墜毀在了恩多上。大家齊心合力對抗Terak和Charal。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster