在線播放
劇情簡介
十年前，他的父母再婚，他和光成為了兄艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。我們沒有血緣關(guān)系，年齡也有差異，所以從來沒有把對方視為異性。不過，兩年不見，光改變了很多，現(xiàn)在看起來像個女人了。
同類好片
阿坎達(dá)2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon大家的歌
白濱亞嵐,片寄涼太,小森隼,佐野玲於,關(guān)口Mandy,中務(wù)裕太,數(shù)原龍友,早見明里,槙田雄司,穂紫朋子,天野花奈,山川真里果麥哲倫
蓋爾·加西亞·貝納爾,達(dá)里奧·亞斯貝克·貝納爾,拉斐爾·莫雷斯,托馬斯·阿爾韋斯,保羅·卡拉特雷,羅尼·拉扎羅,Rafa Siguion-Reyna,Ivo Arroja,麥克斯·格羅斯·馬延奇,Roger Alan Koza,奉·卡布雷拉,Hazel Orencio,Daniel Palisa,瓦爾德馬爾·桑托斯,?ngela Ramos,Yvanne Evangelista,Rubén Carballés,Elisabete Pedreira,Sasa Cabalquinto,Amado Arjay等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾寵它
俞逸夫,余逸蕾,王文,蘇娜,耿巖淅,李先時,周浩東,吳春怡,王思懿,趙漢唐雙生2022
泰莉莎·帕爾墨,史蒂芬·克里,芭芭拉·馬滕,Tristan Ruggeri,Ergo Küppas導(dǎo)演精選
食人晚宴
A group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
無路之路
在一個支離破碎的世界里，生存是唯一的目標(biāo)，一個孤獨的流浪者在荒野中游蕩，被復(fù)仇的念頭所折磨。他遇到了一位陌生人，兩人有著相似的過去。