VN.031-慕羽茜

冷光中

出獄后的艾娃試圖重新開始，卻被哥哥卷回毒品交易。警方設局致哥哥身亡，她再度逃亡。好友遇害、父親背叛、親情撕裂下，艾娃鋌而走險，與毒梟交易并清除叛徒，最終再次入獄。

突襲2026

　　電影主要講述的是緝毒警察在臥底隊員的配合下，里應外合徹底擊敗釘公販毒組織的故事。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

幻視

　　該片講述因神經衰退正在接受治療的智敏在親眼目睹肇事逃逸事故后，總是分不清現實和幻想，并因此經歷了神秘事件的故事。南奎麗飾演女主角智敏，這也是她時隔三年重返銀幕，并首次挑戰驚悚片，電影計劃于今年9月開拍，預計將于2018年上半年上映。

一條道走到黑

一個三十多歲的男子在大城市謀生，為了走出混亂的生活，無意識地想象出一個幻想與現實并存的世界。

鬼迷藏