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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
詛咒：納扎爾
Alp Aras,El?in Atamgü?,Melike Bal?ik
守護惡魔
Mac Van Khoa,Mai Cát Vi,Quoc Truong故事設定在20世紀90年代末的越南西南部鄉村，講述了年輕女子Lan（Ph??ng Thanh飾）在父親去世后，前往一位名叫Danh（M?c V?n Khoa飾）的鰥夫家中擔任女傭。她很快發現這座房子隱藏著可怕的秘密：神秘的死亡事件接連發生，村莊中流傳著關于“守財靈”的傳說——一種通過黑暗儀式召喚的靈體，用于守護財產，但會對陌生人造成致命威脅。Lan與一位名叫S?n（Qu?c Tr??ng飾）的恐怖小說作家聯手，試圖揭開這些離奇事件背后的真相。
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蘇菲·王爾德,阿里·麥卡錫,哈米什·菲利普斯,基特·埃爾哈特·布魯斯,薩拉·布羅肯莎,杰登·戴維森,桑尼·約翰遜,馬庫斯·約翰遜,基達安·澤勒克,詹姆斯·奧利弗,喬·伯德,杰特·加茲利,亞歷珊德拉·詹森,Dog,Helene Philippou,米蘭達·奧圖,佐伊·特雷克斯,克里斯·阿洛西奧,奧蒂斯·丹吉,利安娜·瓦爾斯曼,亞歷珊卓婭·斯蒂芬森,亞采克·科曼孤獨的少女米婭沉迷于通過陶瓷手召喚靈魂的刺激，但當她面對一個自稱是她死去母親的靈魂時，她釋放了一場超自然力量的瘟疫，并努力決定她可以信任誰，是選擇活著的人還是死者？
飛虎神爪
程琢,孫文雪,劉澤宇,任宇,劉宇飛虎門鄭坤奉命押送賑災糧，他押送回來的賑災糧全是沙石，鄭坤鋃鐺入獄，幾經周折，鄭坤查出調換賑災糧的罪魁禍首，鄭坤與州府捕快左綾聯手將貪污賑災糧的人一干人等繩之以法，將他們一網打盡