三個女人的秘密工作生活

午夜微博

鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬

　　夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險，并全程微博直播。他們為自己的無知和膽大妄為付出巨大代價，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場意外的受害者，從醫生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調查后發現，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現一個倒計時的畫面，而業已歸零的正是當前的死者子妍。　　絕不相信鬼神傳說的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……

東北往事·極惡不赦

劉牧,陶慧,王小毅,丁宇佳,魏子千,李飛揚,梁靖晨 Jingchen Liang,丁海峰,張潮,葛四,吳爾渥

1995年，東北吉春市，兩名戴著麻布頭套的悍匪連殺數人劫走巨款，現場不留活口，手法毒辣到讓全城膽寒。警察局長命令刑偵隊長張震調查此案。早已隱退“江湖”多年的趙紅兵因戰友被殺，決定聯合刑偵隊長張震為犧牲的戰友討回這筆血債。

童煞驚魂島

丹尼爾·希梅內斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖

　　在一個舒適的季節，弗朗西斯科（艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾）和懷有身孕的妻子貝絲（凡妮莎·肖 Vinessa Shaw 飾）來到墨西哥某個海濱小鎮度假。適值狂歡節期間，小鎮四周歌舞升平，紙醉金迷，多少青年男女流連忘返。弗朗西斯科渴望尋覓一個安寧的所在，他找到當地的漁夫，從對方手中租下一艘船，打算在附近某個僻靜的小島安然度過五六天。次日，他和妻子抵達目的地。那里寂靜無聲，幾乎看不到一個人影。島上的孩子們偶爾逡巡四周，但無一例外臉上都掛著猙獰冷漠的表情。　　未過多久，令他們毛骨悚然的事情接連發生。島上的孩子手執兇器獵殺成人，期間更發出令人不寒而栗的笑聲。孩童的殺戮仍在繼續，弗朗西斯科夫婦能否逃離……

哈佛少女的快樂清單

蓓爾·波利,內森·連恩,加布里埃爾·伯恩,瓦妮莎·貝爾,科林·奧多霍諾,杰森·雷特,威廉·莫斯里,戴斯敏·博格斯,普娜·賈甘納坦,扎卡里·因凡特,安迪·布斯蒂羅斯,瑪哈蕾·赫沙姆,喬爾·邁克利,斯科特·啟治·武田,科妮莉亞·格斯特

　　凱麗（蓓爾·保利 Bel Powley 飾）是名聲大噪的天才少女，18歲便獲得了哈佛大學的畢業證書。雖然每個人都覺得凱麗擁有著前途無量的未來，但對于凱麗來說，每一天她都生活在郁悶和沮喪之中。凱麗的母親自幼就離開了她，如今，相依為命的父親派爾必（加布里埃爾·伯恩 Gabriel Byrne 飾）竟然也決定組建新的家庭。　　察覺到了凱麗的彷徨，父親將名為佩特羅夫（內森·連恩 Nathan Lane 飾）的心理醫生介紹給了凱麗，佩特羅夫給了凱麗一份清單，上面羅列著六項任務，佩特羅夫向凱麗保證，只要她完成了這兩項任務，就能夠重新找回快樂，一切真的如他所說的那么簡單嗎？

Kill Tony：笑鬧德州

托尼·欣奇克利夫

　　一分鐘、一支麥克風、毫不留情。在奧斯汀舉行的殘酷演出中，托尼·欣奇克利夫及一眾著名嘉賓對立志成為喜劇演員的參賽者進行考驗。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

蜂蜜的針

袁泉,耿樂,寧靜,俞飛鴻,齊溪,陳沖,孫悅,史可,余皚磊,李大光,楊子姍,劉雅瑟,竇靖童,馬書良,焦剛,胡明

性格孤僻的農科院研究員支寧（袁泉 飾），在愛情里四處碰壁。在一次文學講座上，她對作家寇逸（耿樂 飾）一見鐘情，從此陷入偏執愛情的她開始悄悄跟在寇逸身后……在偶然的契機下，支寧應寇逸之邀加入一場旅行。本以為是靠近心意的“愛情”之旅，卻沒料到途中變故接踵而至，逐漸成為了一場亡命之行。蹊蹺的命案接連發生，所有人和事都在朝著完全失控的方向狂奔…… 　　以愛之名的潘多拉魔盒已然開啟，當愛意被執念裹挾，人究竟會為了守住所謂的“愛”，突破多少不可逾越的邊界？