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艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan
同類好片
15點(diǎn)17分，啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費(fèi)舍,賈里爾·懷特,托馬斯·列農(nóng),托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯日本的首領(lǐng)：完結(jié)篇
三船敏郎,菅原文太,大谷直子,佐分利信,片岡千惠藏 ,西村晃,山本由香利,佐藤慶,遠(yuǎn)藤太津朗,高橋悅史,二宮小夜子,渡邊文雄,仲谷升,金子信雄,小池朝雄,東惠美子,稻葉義男,小林稔侍,待田京介,真野玲,櫻町弘子,志賀勝,鈴木瑞穗,寺田農(nóng),安部徹為了所有的女孩
埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩空氣之魂，云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis我叫艾妮塔
埃娃·梅蘭德,克拉斯·蒙松,杰里米·科維爾羅,Anne-Marie Ponsot,伯恩·謝爾曼,Richard Forsgren,阿蘭·杜泰,M?ns Molin,馬克斯韋爾·坎寧安,Sarah Rothman,Filip Gisslén,Omid Khansari,Liam Nisseborn,Cécile Combredet,Alexandra Creutzer羅薩里奧
大衛(wèi)·達(dá)斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos人氣佳作
未知土地
約克·馬哈尼,Shirley Patterson,威廉·雷諾茲,亨利·布蘭登孤兒2025
Bojtorján Barabas,Andrea Waskovics,格萊高利·嘉德波瓦,馬爾桑·恰尼克X誰(shuí)嫁誰(shuí)噶了誰(shuí)
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊浪漫殺手真人版
上白石萌歌,高橋恭平,木村柾哉,中島颯太,高橋光,伊藤俊介,上坂樹里,森香澄,本多力,藤堂日向,津田健次郎,白濱亞嵐,宮田俊哉,倉(cāng)悠貴,醍醐虎汰朗,犬飼貴丈,西垣匠,優(yōu)太朗,內(nèi)藤秀一郎,豐田裕大,高杉真宙,矢本悠馬,藤原丈一郎,佐藤大樹,與那城獎(jiǎng),竹財(cái)輝之助導(dǎo)演精選
沖動(dòng)
該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
偉大的覺醒
Exploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.