狗神[中字]

評(píng)分:1.4 播放:51萬(wàn) 更新:2026-05-28
主演: 原田真人/

在日本高知縣的山中,生活著一個(gè)擁有絕美容貌的中年女子坊之宮美希(天海祐希 飾艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。年輕時(shí)她與哥哥發(fā)生不倫之戀,這段刻骨銘心的經(jīng)歷后,美希選擇隱居深山,靠做日本紙過(guò)著平靜的生活。村民傳言,美希擁有“狗神”的血統(tǒng),凡是與她接近的人都將遭遇不幸。某天,美希邂逅新來(lái)的青年教師奴田原晃(渡部篤郎 飾),兩個(gè)疏離之人迅速陷入纏綿的愛(ài)戀之中。似乎因愛(ài)情的潤(rùn)澤,美希變得愈發(fā)年輕、美麗。這個(gè)變化愈加印證了村民的猜測(cè),他們恐懼、憤怒,企圖將美希趕出山村。而那對(duì)相戀的人兒,則不得不去面對(duì)命運(yùn)的嘲弄與審判……

劇情簡(jiǎn)介

在日本高知縣的山中,生活著一個(gè)擁有絕美容貌的中年女子坊之宮美希(天海祐希 飾艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。年輕時(shí)她與哥哥發(fā)生不倫之戀,這段刻骨銘心的經(jīng)歷后,美希選擇隱居深山,靠做日本紙過(guò)著平靜的生活。村民傳言,美希擁有“狗神”的血統(tǒng),凡是與她接近的人都將遭遇不幸。某天,美希邂逅新來(lái)的青年教師奴田原晃(渡部篤郎 飾),兩個(gè)疏離之人迅速陷入纏綿的愛(ài)戀之中。似乎因愛(ài)情的潤(rùn)澤,美希變得愈發(fā)年輕、美麗。這個(gè)變化愈加印證了村民的猜測(cè),他們恐懼、憤怒,企圖將美希趕出山村。而那對(duì)相戀的人兒,則不得不去面對(duì)命運(yùn)的嘲弄與審判……

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禁忌凝視

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艾娃是一位受人歡迎的教師,她的丈夫是當(dāng)?shù)氐氖虚L(zhǎng)。盡管他背叛了她的信任,她仍然計(jì)劃支持他的競(jìng)選活動(dòng),因此她開(kāi)始在當(dāng)?shù)氐囊粋€(gè)難民中心做志愿者。在這里,她與18歲的難民阿米爾親近起來(lái),他的詩(shī)歌才華深深吸引了她。然而,他們?cè)阶咴浇龑?duì)局勢(shì)的掌控就越少。這部關(guān)于禁忌之愛(ài)的戲劇《別叫我媽媽》讓主角們面臨道德考驗(yàn),同時(shí)挑釁性地探討了虛偽如何偽裝成慷慨。充分利用了自己作為選角導(dǎo)演的經(jīng)驗(yàn),尼娜·克納格從演員皮婭·蒂耶塔、克里斯托弗·約納和塔雷克·扎亞特那里得到了出色的表現(xiàn)。

等待方舟

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

揚(yáng)帆

貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫(kù)珀

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浴血黑幫:不朽傳奇

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新咒怨(美版)

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