劇情簡介
慶熙被單位辭退,又不幸得了怪病,身心俱疲,更令她崩潰的是,醫(yī)生懷疑她感染了艾滋病。幾個(gè)月前,慶熙和一個(gè)名叫邁克的外國男人發(fā)生了關(guān)系,醉意朦朧間根本沒有過多的交流,即便肌膚相親,對(duì)方仍只是個(gè)陌生人。此事后,慶熙開始發(fā)現(xiàn)大腿內(nèi)側(cè)瘙癢不斷,身上更泛出大量紅色斑點(diǎn),如今方恍然大悟原來疑似艾滋病感染。她一方面要求進(jìn)一步復(fù)查,一方面把原本要經(jīng)營小店鋪的三千萬存款拿出來,準(zhǔn)備做最后一次旅行……
為你推薦
蠅變深淵
徐冬冬,婁淇,張德暉,季葉翠該片是一部融合科幻驚悚與人性拷問的電影。影片以虛構(gòu)的西岸港為背景，講述了新聞?dòng)浾咤?徐冬冬飾演)在調(diào)查跨國企業(yè)賽爾斯集團(tuán)的污染事件時(shí)，意外卷入一場由其父親濮教授(張德暉飾演)所在的孤島實(shí)驗(yàn)室引發(fā)的基因?yàn)?zāi)難。當(dāng)實(shí)驗(yàn)創(chuàng)造出嗜血變異昆蟲并失控后，集團(tuán)為掩蓋真相切斷聯(lián)系、銷毀證據(jù)，使被困者陷入絕境。為尋找失聯(lián)的父親，濮欣與男友江海(婁淇試驗(yàn))潛入死島，在怪物橫行、通訊斷絕的險(xiǎn)境中，逐步揭開實(shí)驗(yàn)背后的殘酷陰謀。
殺戮游戲
皮爾森·福德,喬·阿德勒,勞拉·阿什利·塞繆斯,邁克爾·加蘭特,Mouzam Makkar,Sari Sanchez,Tommy Beardmore,Ryan Carr,Patricia Urbonas Clark,Brian Christensen,Jay Disney,Alicia Hilton,Justin Nesbitt,Debbi Burns,希拉里·安德森畢業(yè)于某高中的考特尼（Laura Ashley Samuels 飾）、瑞安（皮爾森·福德 Pierson Fode 飾）、南森（喬·阿德勒 Joe Adler 飾）等人聚在一起聊天，他們俊朗美麗，當(dāng)初都是學(xué)校里備受人關(guān)注的明星人物。只不過站在頂端的風(fēng)云兒常常促狹無度，他們隨意捉弄其他同學(xué)，并以此為樂，當(dāng)然彼此心中默默守護(hù)著一個(gè)不可輕易為外人道的秘密。某天，他們的同學(xué)吉米被一個(gè)帶著瑪麗蓮·夢露面具的人抓住，隨后以極其殘酷的手段虐待致死。這件事令眾人大為震驚，而他們隨后也不約而同遭遇各種奇怪事件。 一切似乎指向數(shù)年前發(fā)生在珊地海灘的一次“意外”，他們的一位同學(xué)溺水身亡，而刻意被隱藏的“意外”則成為他們今天深陷死亡漩渦的肇因。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瘋狂舞蹈辦公室
廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦講述了獨(dú)自撫養(yǎng)女兒的公務(wù)員國熙相信完美主義是在世界上生存的唯一出路，命運(yùn)般地遇到弗拉門戈舞而展開的故事。
毒蜂
富大龍,許亞軍,高梓淇,侯勇,呂良偉,王斑,鄭曉寧,張苡寧,張靜靜,白慶琳,方姝晴,袁帥新型毒品“蜜蜂”在江州毒品市場肆虐，隨著研制者“毒蜂”被緝拿歸案，其配方也面臨消失，毒界變得風(fēng)聲鶴唳。主人公段成（富大龍 飾）在一次押送途中越獄，并對(duì)外宣稱自己是“唯一知道蜜蜂配方”的人，面臨配方重出江湖的巨大誘惑，多方勢力開始對(duì)段成展開威逼利誘。經(jīng)歷追殺、強(qiáng)行被注入毒品等非人折磨后，段成滲入毒巢，以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面，江州警方的“捕蜂人行動(dòng)”也正式啟動(dòng)，一場正與邪、善與惡的黑白對(duì)決一觸即發(fā)……
克里斯蒂
西德尼·斯維尼,本·福斯特,梅里特·韋弗,凱蒂·M·奧布萊恩,托尼·卡瓦勒羅,伊桑·恩布里,查德·科爾曼,杰西·加伯,邁爾斯·穆森登,比爾·凱利,阿爾特·紐柯克,史蒂芬妮·鮑爾,考特妮·格蕾絲,凱文·J·奧康納,阿德里安·洛克特,阿里莎·康納,科爾曼·佩迪戈,布萊恩·希巴德,塔瑪拉·霍普金斯,斯蒂芬·羅亞爾·菲利普斯影片講述美國著名拳擊運(yùn)動(dòng)員、“女洛奇”克里斯蒂·馬丁的故事。克里斯蒂來自美國西弗吉尼亞州小鎮(zhèn)一個(gè)相對(duì)保守的家庭，當(dāng)時(shí)她作為一個(gè)年輕的女同性戀者不被允許做自己，所以用拳擊作為表達(dá)自己和憤怒的工具。她必須在生活中做出一些危險(xiǎn)而根本的妥協(xié)，其中最嚴(yán)重的是嫁給一個(gè)極其危險(xiǎn)的男人。 1989年，馬丁遇到了她的經(jīng)紀(jì)人、后來的丈夫吉姆·馬丁，生活發(fā)生了轉(zhuǎn)變。她打破界限，成為第一個(gè)與金牌拳擊推廣人唐·金簽約的女性，也是唯一一個(gè)登上《體育畫報(bào)》封面的女拳擊手。 克里斯蒂的魅力、漂亮外表和對(duì)賽場的適應(yīng)為她贏得了狂熱的粉絲群，并推動(dòng)她成為次中量級(jí)冠軍。但在精心塑造的公眾形象背后，她面臨著個(gè)人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。
召喚藍(lán)寶寶
瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆校園里的一場大冒險(xiǎn)演變成了都市傳說。當(dāng)青少年們召喚“藍(lán)寶寶”時(shí)，某種東西回應(yīng)了他們。這場游戲蔓延開來，留下的是悲傷和私語。阻止它意味著要面對(duì)第一次召喚，以及被召喚的代價(jià)。