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詭愛
辛芷蕾,成毅,于毅,葉熙祺,張哲瀚,何珮瑜,邢岷山怨泊
何超儀,高橋和也,白川和子,周俊偉鏢人:風起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平邁克·艾普斯:異想天開
邁克·艾普斯遠古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡納,多米尼克·基汀,Maureen Kedes紐倫堡的審判
斯賓塞·屈塞,伯特·蘭卡斯特,理查德·威德馬克,瑪琳·黛德麗,馬克西米連·謝爾,朱迪·加蘭,蒙哥馬利·克利夫特,維爾納·克倫佩雷爾同類推薦
深淵未遠
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber飽受折磨的隱士內維亞與神秘莫測的陌生人芙蕾雅,開啟了一段風景如畫的公路旅行,卻失控陷入混亂。在竭力逃離過往的過程中,她們的友誼在每一次轉彎處接受考驗——而所有道路都指向一個令人震驚的真相。
陰目偵信
梁業,何啟華,郭嘉駿,吳保锜,周家怡,葛民輝,太保,羅永昌,張達倫,譚旻萱改編自同名熱門恐怖小說的電影《陰目偵信》發布先導預告,陰目征信社接到新Case了? 原著講述從小擁有陰陽眼的石頭成長過程十多年來與鬼為鄰,見盡生死相隔、人鬼殊途。身為香港首富伍氏豪門的子嗣,伍伯良身負家族世代相傳、不可告人的驚天秘密。大學猛鬼宿舍,時辰一到,石頭與新結識的伍伯良和怪人PATRICK,能否合力阻止鬼門大開?
無法在你的臉上哭泣
芳根京子,高橋海人,西川愛莉,武市尚士,中澤元紀,前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇本片改編自同名小說,故事始于高一夏天,坂平陸(高橋海人 飾)與水村真奈美(芳根京子 飾)在泳池事故后靈魂互換。兩人堅信能恢復原狀,苦尋方法,然而15年過去,依舊未能換回。升學、初戀、就業、結婚、生子,他們只能以彼此的身體走完人生重大節點。直到30歲那年夏天,真奈美突然說:“我或許知道怎么換回來了。”命運的齒輪,開始再次轉動——
最后一槍2025
Lham Somphol Rungphanit,薩里卡·塞思蘇帕,帕塔納·埃桑固Petch想擺脫殺手生涯,但逃離過去談何容易?在愛情、忠誠與復仇之間掙扎,他被迫接下最后一單。每一槍響起,賭注都在升級。他的未來與自由,全系于最后一顆子彈。 “終極任務,致命一槍,無路可退。”
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster