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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不可饒恕2013
渡邊謙,柄本明,佐藤浩市,柳樂優(yōu)彌,忽那汐里,小池榮子,國村隼,近藤芳正,小澤征悅,三浦貴大,滝藤賢一結(jié)束了德川幕府的統(tǒng)治，明治政府巍然確立。當(dāng)年叱咤風(fēng)云的“劊子手”釜田十兵衛(wèi)（渡邊謙 飾），作為幕府余黨在荒蕪寒冷的北海道過起隱姓埋名的生活。他當(dāng)年對亡妻許下封印殺人刀的約定，通過勞作養(yǎng)活自己和兩個孩子，但殘酷的生存環(huán)境仍讓他感到力不從心。這一日，十兵衛(wèi)當(dāng)年的戰(zhàn)友馬場金吾（柄本明 飾）前來造訪。原來附近一座小鎮(zhèn)上，美麗的妓女夏目（忽那汐里 飾）被粗暴的女人毀容，但是警察署長大石一藏（佐藤浩市 飾）卻包庇縱容。夏目的同伴們湊錢尋找賞金殺手，無奈膽敢來犯的人們均被大石殘暴摧折。為了改善孩子們的生活，十兵衛(wèi)和馬場上路，并在路上結(jié)識了懷著同一個目標(biāo)的阿伊努族青年（柳樂優(yōu)彌 飾）。三人一路同行，等待他們的將是未知的命運…… 本片翻拍自克林特·伊斯特伍德的同名之作。
古宅謎案
貢米,郭秋成,劉家麟,黑妹,李中煜,馮淇祈,劉禹君月黑風(fēng)高，古宅之夜，白衣鬼魅誅殺滿桌男女老幼，尖叫連連，血流滿地，慘不忍睹！是死去怨靈的還魂復(fù)仇？還是來自人間的情感糾葛？故人重返古宅，詭異事件頻發(fā)，魅影時而飄過古宅郎亭角落，令人膽戰(zhàn)心驚！
包寶寶
丹尼爾·凱林,辛迪·勞畫面開始，一雙豐滿的手靈巧地揉面、按記兒、搟皮兒、包包子。沒過一會兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開廚房的窗戶，短暫的歇息。稍后，包子蒸熟，女主人端著它來到餐桌前。此時，她的老公已經(jīng)起床，正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個包子，可剛一張嘴包子便大哭了起來。不知為何包子有了生命，而倍感孤獨的女主人格外開心，于是將包寶寶當(dāng)做自己的孩子撫養(yǎng)。小包子一天天長大，他起初和女主人分外親近，但是他漸漸有了自己的個性，渴望獨立，渴望遠行……本片是《超人總動員2》的貼片短片，榮獲奧斯卡電影金像獎最佳動畫短片獎。
混凝土烏托邦
李炳憲,樸敘俊,樸寶英,金善映,樸持厚,羅哲,金度允,南鎮(zhèn)福,金學(xué)善,樸周勇該片以大地震后荒廢的首爾為背景，講述聚集在此地唯一剩下的“皇宮公寓”里的生存者們的故事。
解決專家
黃才倫,邱意濃,林子聰,許詩晨,王瀚邦,王人可,文東俊,岳冬峰,劉奕心,阿蒂婭,劉海涵,解斯童“解決專家”衣然英俊遇到羅師傅上門求助，羅師傅因跌打油遭誣告，其妹雙雙、盈盈為幫兄私自參加高顏獎金選美。衣然英俊攜老孫、羅師傅追至賽場，與羅妹及中國選手徐菲組隊，闖叢林、破廟宇機關(guān)，最終揭穿比賽的陰謀，助羅師傅渡過難關(guān)。
瘋狂舞蹈辦公室
廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦講述了獨自撫養(yǎng)女兒的公務(wù)員國熙相信完美主義是在世界上生存的唯一出路，命運般地遇到弗拉門戈舞而展開的故事。