失蹤:消失的妻子

3.8 播放:00萬 2026-05-27
主演: 未知/

是鄭糠云主演的一部懸疑驚悚情色電影,講述了妻子失蹤后,丈夫報案,但隨著調查的深入,事件越發(fā)的撲朔迷離,變得誰都有嫌疑的故艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。由于里頭有一些青少年不宜觀看的鏡頭而被定格為19禁,但懸疑劇發(fā)燒友應該會稀飯的哦。。

在線看

同款熱播

玩具熊的五夜后宮:紫色的淚

Bomber Hurley Smith

  當10個年輕人去探索一家廢棄的比薩店時,他們很快就知道,他們將不得不為自己的生命而戰(zhàn),同時試圖揭開比薩店令人不安的歷史。

耿耿于懷

柯斯莫·賈維斯,里斯·曼尼恩,克拉斯·邦,安東尼婭·坎貝爾-休斯,艾薩克·赫斯利普,寶琳·赫頓,基思·麥克利恩,馬克·奧哈洛倫,沙希·拉米,萊勒·羅迪,彼得·特蘭,保羅·泰來克

 Hamish arrives on the soil of his mother’s birth; she is felt instantly. A shocking car accident rips him apart, shattering his clenched control. A beast broken, he finds himself lost in the world of his long deceased mother. Young teen Evan, also involved in the accident befriends Hamish.The tremors of want and love beneath the stifling soil push to the surface, as he is led by the vitality of the unbridled boy Evan. He experiences the electric eroticism of living, and danger. His rage accelerates to violence, and ultimately his vibrant release.

異形地球

Belinda Mayne,Mark Bodin,Roberto Barrese

  劇情大概:  一個執(zhí)行太空任務從宇宙歸來的太空艙里的船員被天外異形下了藥變成了可怕的怪物,這種異形能寄生到人體使其發(fā)生肢體變異。同時期一組洞穴探險員來到城市郊外溶洞探險,沒想到此地已經被異形占領,他們只能靠本能來逃脫異形所設下的種種陷阱……(說起山寨,意大利人才應該算是鼻祖吧,就如同這部電影標題一般…不要對這部電影有任何企圖,他只會讓你變成撲克臉- -)  血腥度:4  片中怪物數(shù)量:?  怪物類型:外星生物  怪物特點:寄生  怪物必殺技:變形  怪物惡心度:3

300殺手

Johnny Andrews,Tierra Peterson,J.P. Simmons

  In the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem...

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

選擇之她·他

王馨婕,陳驍,馬浚揚,林未,梁瀟雁,陳庭尉,劉海燕

一個選擇,兩種人生軌跡。她的故事,還是他的真相?