即刻觀影
劇情賞析
編輯推薦
巨人的告別
奧斯卡·馬丁內茲,馬蒂亞斯·邁耶,路易斯·盧克,亞歷克西婭·莫亞諾,Inés Estévez,Johanna Francella,Silvia Kutika失散多年的父親重新露面，這名導游必須應對舊日傷痛，并做出一個決定二人未來的抉擇。
莎拉的石油
扎克瑞·萊維,Naya Desir-Johnson,索尼夸·馬丁-格林,加瑞特·迪拉胡特,梅爾·羅德里格斯,布里吉特·瑞根,斯特里奧·薩萬特,Marco Fuller,湯姆·歐默,瑪利亞·米切爾,Ryan O'Quinn,羅伯特·古德曼,喬納森·利普尼基一個出生在印第安區的黑人女孩意外繼承了一片充滿石油的土地，洶涌的黑金下，她將面對攫取、迫害、偏見、中傷，并用她的意外橫財去幫助他人。
微笑的山谷
米凱萊·里翁迪諾,羅馬納·馬喬拉·韋爾加諾,Giulio Feltri帶著過往傷痛，塞吉歐只身一人前往「微笑之村」擔任代理教師。這座對負能量零容忍的小鎮，明明曾遭逢巨變，居民們卻笑口常開。原來，讓這座微笑之村風光明媚的秘方，是一位能吸取人間苦痛的男孩，他的身體如祭壇，透過擁抱承擔全村的悲傷。他為人搭建快樂天堂，自己卻陷入無盡黑暗。塞吉歐與男孩的相遇，攪亂了鎮上的平衡；那座煉獄之門，也終將反向人間敞開。
異羽之鳥
賈亞士里,Mahadev Hadapad,Rekha Kudligi馬諾哈拉·K在13歲時就憑借在影片《鐵路少年》中的出色表演榮獲印度國家電影獎最佳兒童演員獎。如今，二十出頭的馬諾哈拉初執導筒，將女作家索尼婭·S的獲獎自傳小說搬上銀幕，講述了一個白化病女孩的成長之路。片中，來自貧困家庭的索尼婭因為白化病在學校受到歧視和敵意，父親置若罔聞、母親有心但無力，她只能依靠自己。導演并沒有向索尼婭投去同情目光，而是帶著一定距離感去呈現她的處境，成功塑造了一個勇敢、樂天的女孩如何接納自己并讓白化病這個“缺點”成為特點。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
二十
金宇彬,李俊昊,姜河那,鄭素敏,李侑菲,閔孝琳,鄭珠妍該片講述的是三個二十歲的小伙兒青春年少的故事，金宇彬飾演的是一個不善處理異性關系、沖動熱血、游手好閑的家伙。