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鱷魚變
貝弗利·加蘭,布魯斯·班尼特,小朗·錢尼,喬治·麥克雷迪寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick DoverRRR
小老虎,拉姆·查蘭,阿賈耶·德烏干,阿莉雅·布哈特,奧利維亞·莫里斯,施芮婭·薩蘭,雷·史蒂文森,艾莉森·杜迪,塞繆拉卡尼,錢德拉·塞卡,馬卡蘭德·德斯潘德,拉杰夫·卡納卡拉,拉胡爾·拉瑪克里斯納,Edward Sonnenblick,Varun Buddhadev,Spandan Chaturvedi,馬克·班寧頓莫·吉里根:活在當下
莫·吉里根尋龍訣·覓蹤
張涵予,姜武,盧靖姍,邁克爾·寇特斯,羅恩·斯穆安伯格,安德魯·達茲,史蒂文·達茲,馬文·布韋,Simon Shiyamba,Daria Gz,Lorenzo de Moor,Francesca Alice Antonini,Errol Trotman-Harewood,Alejandro Gil Mateos,Lola Dufour綠液驚魂
喬·基瑞,連姆·尼森,喬治娜·坎貝爾,索茜·貝肯,瓦妮莎·雷德格雷夫,萊絲利·曼維爾,亞倫·赫弗南,埃洛拉·托爾基亞,羅伯·柯林斯,賈斯汀·塞林格,加文·斯波克斯,安德魯·布魯克,達雷爾·席爾瓦,露伊薩·里希特,納赫爾·策蓋,丹尼爾·里格比,克萊爾·霍爾曼,瓦倫蒂娜·波普科娃,納納·詹姆斯同類推薦
落葉球
David Koberidze,Otar Nijaradze攝影師麗莎突然失蹤。最后的線索指向她拍攝過的七個足球場——它們散落在格魯吉亞七個偏遠村莊。父親伊拉克利踏遍這些球場尋女,麗莎的摯友、如幽靈般的列瓦尼悄然加入搜尋。每當球場更迭,相遇的村民與他們的故事便如走馬燈般輪轉。看似荒誕的旅程里暗涌漸起:每踏過一片坑洼的草場,每穿過 一座寂靜村莊,找到麗莎的希望便如晨霧般日漸稀薄。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
騎乘挑戰
田中秀幸,松井菜櫻子,小山茉美,富山敬,林原惠美,本多知惠子,筈見純,屋良有作,飛田展男,小林通孝,鹽屋浩三,田中和實,小杉十郎太OVA化もされた園田健一原作のコミック「ガンスミスキャツ」の元となったOVA。「ロードバスター」の名を持つ凄腕の運び屋であるビーン?バンデット。ある日、ビーンはグリムウッド家の令嬢であるチェルシーを誘拐した容疑をかけられ、警察から追われる身になってしまった! 果たして、彼の運命は…?
調味的房子
西恩·帕特維,安娜·沃爾頓,羅希·戴,凱文 霍華斯,杰瑪·鮑威爾,丹尼爾·維維安,阿德里安·布薛特,Christopher Rithin,肖恩·克羅寧20世紀末,波黑戰火籠罩的巴爾干地區。聾啞少女安吉爾(羅茜·戴伊 Rosie Day 飾)目睹了親人鄰居被武裝分子殘忍殺害的一幕,在此之后她也失去自由,與數名同齡女孩被擄至暴徒維克托(凱文·霍華斯 Kevin Howarth 飾)所盤踞的地獄之所。女孩們被迫淪為性奴,飽受摧殘與折磨,生命卑微有如在暴風雨中搖曳的燭火。身處無聲世界的安吉爾似乎得到上天微薄的憐惜,她每天的工作便是穿梭于各個房間,為女孩們擦拭血跡,注射藥物,緩解疼痛,小小年紀卻見識了人世間最殘酷的景象。慘無人道且防守嚴密的人間煉獄,安吉爾決定帶著姐妹們逃出生天。當殺母仇人格倫突然來到此地,一切走向失控的邊緣…… 本片榮獲2013年葡萄牙國際奇幻電影節影評人選擇獎。
高空求生
威廉·鮑德溫,Loris Curci,Christopher Greco,珍妮·卡斯帕,Kseniya Pinch,Zach Rose,Marianna Rosset,Diljohn Singh,Crystal WebTwo sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted "material witness" to a crime. Matters then take a dramatic twist, one that will mark their lives forever.