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獵殺超自然
約翰·威爾士,Darren Lee Cupp,艾迪森·格蕾絲·倫道夫A gunslinger on a mission from God must track down supernatural creatures as penance for his past sins.
征服者2025
阿克夏耶·坎納,馬達范,蘭維爾·辛格,桑杰·達特,阿俊·拉姆鮑,阿哈娜·卡姆拉,莎拉·阿爾瓊,拉詹德拉納斯·祖特施印度頂級間諜阿吉特·多瓦爾（Ajit Doval）在敵方領土上臥底，冒著一切風險收集情報并防止重大危機，鞏固了他作為“印度詹姆斯·邦德”的遺產。
巨星嫁到
詹妮弗·洛佩茲,歐文·威爾遜,馬魯瑪,薩拉·西爾弗曼,約翰·布萊德利,克洛伊·科爾曼,吉米·法倫,布雷迪·諾恩,蜜雪兒·伯托,烏特卡什·安邦德卡爾,基思·埃威爾,杰奎琳·霍努力克,卡特里娜·坎寧安,斯蒂芬·沃勒,勞倫斯·史密斯,萊恩·瓦萊麗,布萊斯·科里根,洛根·克勞福德,朱塞佩·阿迪佐內,赫納多·羅德里格斯,亞歷克斯·佩雷斯,瑞娜·鄭,喬納森·M·帕里森 ,馬科·查卡,桃樂絲·麥卡錫流行巨星（詹妮弗·洛佩茲 Jennifer Lopez 飾）在結婚前一刻發現自己的未婚夫出軌，于是在臺上隨意挑選了數學老師（歐文·威爾遜 Owen Wilson 飾）結婚，二人究竟能否真正擦出愛情的火花？有情人最終能否終成眷屬？
英雄百夜
艾瑪·科林,麥卡·夢露,尼古拉斯·加利齊納,埃米爾·艾爾-馬斯里,查莉XCX,理查德·E·格蘭特,菲麗希緹·瓊斯,瓦拉達·塞圖,克里斯托弗·法里班克,馬凱拉·卡維納赫,湯姆·斯托頓,克萊爾·珀金斯,喬什·柯德雷,薩菲亞·奧克利-格林,畢揚·丹斯曼,杰夫·米爾扎,Olivia D'Lima,喬丹·庫爾森,邁爾斯·基奧治,科里·彼得森講述一個女性主義童話故事，為《一千零一夜》的新編，聚焦兩個相愛的女人Cherry（麥卡·夢露 飾）和Hero（艾瑪·科林 飾）：Cherry與邪惡的男子Jerome（埃米爾·艾爾-馬斯里 飾）結了婚，Jerome與他的朋友、好色的惡人Manfred（尼古拉斯·加利齊納 飾）打賭，看Manfred能否在100晚之內勾引Cherry，如果Manfred成功，Jerome就把城堡和Cherry送給他。對此毫無興趣的Cherry與她的女仆兼情人Hero策劃了一計：在那100個夜晚，Hero將給Manfred講述一些吸引人的故事，讓Manfred從勾引計劃中分心。
絕種鐵金剛
梁家輝,毛舜筠,陳小春,鐘欣潼,陳冠希,田樸珺著名影星詹二幫（梁家輝飾）常常出演一些英雄類人物的角色，但現實生活中卻膽小如鼠，使深愛的妻子曼瓊（余安安飾）離開了他，自此他便跟兩個女兒忌廉（鐘欣桐飾）與脆皮一起生活了。 鐵男（陳小春飾）與Janet（田樸珺飾）均是國際刑警，得知恐怖分子龍一（徐錦江飾）將到香港去取另外的生化武器，在香港與恐怖分子交手的過程中，誤入了二幫的家里，鐵男被注射了智力退化的病毒，智商只有4歲兒童的程度。曼瓊從好萊塢回來打算跟二幫商議合作的事情，卻遭到恐怖分子的闖入，他們得知丟失的病毒就在二幫家中。 在與恐怖分子斗爭的過程中，二幫為了女兒為了前妻，顯現出以往少有的勇敢才智，順利抓拿犯罪分子以為，還贏回了家庭團員。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
啄木鳥和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努寧靜的山村進入雨季。村中的老伐木工人岸克彥（役所廣司 飾）為人古板，與兒子關系緊張。他在上工途中給東京來的新人導演田邊幸一（小栗旬 飾）和副導演帶路，由此被拉入一部喪尸電影的外景拍攝。在被迫充當臨時演員后，克彥竟對電影產生了微妙的興趣，他開始不請自來的幫助攝制組與村民溝通，開展工作，甚至忽略了本職與妻子的忌日。 突然闖入的攝制組擾亂了山村的平靜和克彥的生活，也改變了導演幸一自身。幸一生性靦腆缺乏自信，在攝制組中毫無威信。偶然間他發現自己的喪尸劇本竟為克彥所欣賞，不禁大受鼓舞，兩人在數次的泡澡時間里進行了奇妙的溝通。在克彥的幫助下，幸一慢慢樹立了自信，電影拍攝也步入正軌。然而臨關機前的一場瓢潑大雨再次令拍攝陷入危機，克彥的缺席也令幸一惶恐無措起來…… 影片獲第24屆東京國際電影節評委會大獎。片中兩位主演役所廣司和小栗旬在現實中亦均擔任過導演。