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被禁理由:敏感詞匯過艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。禁忌時刻:詹姆斯 bull;斯圖爾特突然拿出一條女女士內(nèi)褲作為證據(jù) 又名:一個兇殺案的解析 Anatomy of a Murder律師貝克正在清查一樁兇殺案,當事人梅森中尉和他那自稱被死者強暴的太太對真相有所坦白,死者邦尼和他們夫妻倆到底有何機密?貝克能查到線索,找出事實的真相嗎?
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馬納夫·卡爾,薇迪亞·巴蘭,莎法莉·什提,羅希尼·翰塔伽蒂,Sofiya Khan,Vidhatri Bandi,Iqbal Khan,阿巴斯·達拉勒,Mangesh Desai,Gurpal Singh,朱奈德·汗,Vijay Nikam,Ghanshyam Lalsa,Surya Kasibhatla,Shrikant Yadav群體
全智賢,具教煥,池昌旭,申鉉彬,金新綠,高洙那個孩子是誰?
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死亡陰影
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Caledonia Abbey,Legyaan Thapa,沙西通·巴尼諾,約翰尼·齊托,Mako San,艾德·馬龍,Cara Ronzetti,Nathaniel Strobl,里斯·斯卡拉博西奧,伊內(nèi)斯·霍伊塞特·艾瑟森,明真好,Blake James Reid我當你兄弟
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地震之后電影版
本作由井上剛擔任導(dǎo)演,與NHK四月播出的劇集《地震之后》共享故事框架,同時新增場景重新剪輯而成。該片基于村上春樹短篇小說集《神的孩子全跳舞》中四則短篇,講述關(guān)于喪失與重生的故事。描繪1995年阪神淡路大地震后,四個在不同時代與地域背負孤獨生存之人的命運交織,最終與當下產(chǎn)生聯(lián)結(jié)的歷程。
團戰(zhàn)之夜
故事圍繞著一個“來自未來的人”(山姆·洛克威爾 飾)展開,他來到洛杉磯的一家小餐館,在那里他必須招募一群心懷不滿的顧客,與他一起完成一個為期一晚、跨越六個街區(qū)的任務(wù),以拯救世界免受流氓人工智能的終極威脅。